ROBERT INDIANA (born Robert Clark) (d:  2018) was an American artist born on this date, associated with the pop art movement . His “LOVE” print, first created for the Museum of Modern Art’s Christmas card 1965, was the basis for his 1970 LOVE sculpture and the widely distributed 1973 United States Postal Serives “LOVE” stamp. He created works in media including paper (silk screen) and Cor-ten steel.

Indiana’s work often consists of bold, simple, iconic images, especially numbers and short words like EATHUG, and, his best known example,  LOVE. In his EAT series, the word blares in paint or light bulbs against a neutral background; he regularly paired “EAT” with “DIE”. In a major career milestone, the architect Phillip Johnson commissioned an EAT sign for the New York State Pavilion at the 1964 New York World’s Fair. The sign was turned off one day after the opening of the fair because visitors believed it to mark a restaurant. Andy Warhol’s contribution to the fair was also removed that day. Other well-known works by Indiana include: his painting the unique basketball court formerly used by the Milwaukee Bucks in that city’s MECCA Arena, with a large M shape taking up each half of the court; his sculpture in the lobby of Taipei 101, called 1-0 (2002, aluminum), using multi-colored numbers to suggest the conduct of world trade and the patterns of human life; and the works he created in the aftermath of the September 11 attacks and exhibited in New York in 2004 called the Peace Paintings.

Between 1989 and 1994, Indiana painted a series of 18 canvases inspired by the shapes and numbers in the war motifs paintings that Marsden Hartley did in Berlin between 1913 and 1915.

Indiana was also a theatrical set and costume designer, such as the 1976 production by the Santa Fe Opera of Virgil Thompson’s  The Mother of Us All, based on the life of suffragist Susan B. Anthony. He was the star of Andy Warhol’s film Eat (1964), which is a 45 minute film of Indiana eating a mushroom. Warhol also made the brief silent film Bob Indiana Etc. (4 minutes, 1963), a portrait of the artist with appearances by Wynn Chamberlain and John Girono.

In 1964, Indiana moved from Coenties Slip in New York City to a five-story building at Spring Street and the Bowery. In 1969, he began renting the upstairs of the mansarded Victorian-style Odd Fellows Hall named “The Star of Hope” in the island town of Vinal haven, Maine, as a seasonal studio from the photographer Eliot Elisofon. Half a century earlier, Marsden Hartley had made his escape to the same island. When Elisofon died in 1973, Indiana bought the lodge for $10,000 from his estate. He moved in full-time when he lost his lease on the Bowery in 1978.

Indiana died on May 19, 2018 at his home in Vinal haven, Maine,  of respiratory failure at the age of 89. One day before his death, a lawsuit was filed over claims that his dealer had isolated him from family and friends, and was marketing unauthorized reproductions of his works.