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White Crane #70 – Tom Spanbauer’s Now Is The Hour

Rvu_spanbauer Now Is the Hour
By Tom Spanbauer
Houghton Mifflin, 480 p.
ISBN: 0618584218, $26

Reviewed by Kathleen Dobie

Anyone who writes an autobiographical novel must have a healthy narcissism. Fortunately, in the case of Tom Spanbauer’s Now Is the Hour, that self-love translates into a lyrical, absorbing, and very entertaining coming-of-age tale with a teenage protagonist you can’t help but love yourself.

That narrator, 17-year-old Rigby John Klusener, starts and ends his story on the road as he makes his exodus from the narrow confines of his home near Pocatello, Idaho, for the wider opportunities of San Francisco. In-between is the wonderfully told and richly realized chronicle of a boy consciously and inexorably establishing his own parameters for his relationships with his family, his friends, his lovers, and himself.

The book shares a title with a traditional hymn. Early on, Rigby John says of it, “There’s something about that song. How it’s sad, but at the same time it makes you feel good inside.” Rigby John’s own story is bit like his assessment of the song: There’s a lot to make you sad, but getting to know him makes you feel good.

The rituals, benedictions, confines, freedoms, and the music of the Catholic church are deeply embedded in Rigby John’s life. Church music serves as a bridge between Rigby John and his mother as he sits beside her while she plays hymns, and, occasionally and poignantly, “Chapel of Love.” The church also serves as a platform for rebellion when Rigby John and his sister cruise the local drive-in when their parents think they’re at St. Francis De Sales Club meetings. Rigby John feels the power of “Jesus eyes” during critical moments of his life and finds more than a few opportunities to say, "I loved God so much right then."

Rigby John forms significant friendships during consecutive pivotal summers. Two hired hands his father has him supervise offer Rigby John his first experience of adult friendship along with the opportunity to set standards of his own, in deliberate and direct opposition to those his father espouses. During the hours stolen from De Sales Club meetings, Rigby John embarks on a key friendship with Billie Cody, schoolmate and soul mate. Billie and Rigby John’s relationship is circumscribed by their time and place and yet transcends them — as all important friendships do. They smoke together, they laugh together, they fart and cry in each other’s presence, they neck, they talk, they look at and into each other, they explore the boundaries of their respective worlds and dip their toes into worlds outside their own. And throughout Rigby John’s story runs George Serano, a.k.a. Injun George and Georgy Girl. Rigby John’s first actual meeting with George is filled with drama and trauma and insight, and those themes carry through their working together, being friends — and enemies — to each other, teaching and learning from each other, and hating and loving each other.

Rigby John’s story is universal in feel if not in the particulars, although a great many of the particulars are universally familiar, especially to those of use who were teenagers in the middle decades of the last century: cruising to the popular hang-out spot; trying your utmost to avoid any discussion of sexual issues with your parents — and the humiliating embarrassment of failing; risking your first attempts at physical and emotional intimacy; opening yourself to ideas different from those you’ve been raised to believe are the only valid precepts; battling the fear that you’ll end up being just like your parents. That Rigby John also uncovers the truth of his own sexuality is simply another leg in his journey of self-discovery.

Spanbauer conveys these often pedestrian, yet transformational events, through evocative text that is immediate and witty and as refreshing as an impromptu stop for ice cream on a sweltering summer day. You’re right there in the truck when Rigby John and Billie go on a helpless laughing jag together on their first meeting. You relate completely when Rigby John’s arms turn into helpless blocks of Cheddar during times of emotional confusion. Your stomach knots with the pent-up, unspoken, and barely acknowledged tension that finally erupts into violence against George in the hayfield.

And though the story is told from Rigby John’s point of view, the people in his life are fully fleshed out, independent individuals.

From the first sentence Rigby John’s musings invite you into his world, his life, his soul. And you’re held there securely and comfortably for a long while after you finish the last sentence.

Kathleen Dobie is a writer and activist in Indianapolis, Indiana.

White Crane #70 – Vanita’s Love’s Rite: Same-Sex Marriage in India & the West

Rvu_vanitaLove’s Rite:
Same-Sex Marriage in India & the West

By Ruth Vanita
Palgrave Macmillan
ISBN: 1403970386288  Hardcover, $6

Reviewed by Amara Das Wilhelm

Love’s Rite: Same-Sex Marriage in India and the West is an exciting new book by University of Montana professor Ruth Vanita.  No longer simply a debated concept, same-sex marriage is fast becoming a reality in Hinduism today—both in India and the West.  Hundreds of gay and lesbian Hindu couples are literally “tying the knot” in wedding ceremonies both public and private, with family approval or not, and increasingly with the blessings of officiating Hindu priests.  In her latest book to date, Vanita examines this phenomenon from a religious, social and more importantly, human perspective.

While most Hindus remain opposed to same-sex unions and have not thought about the topic very deeply or on a personal level, this is changing.  For instance, when a Shaiva priest from India was asked to perform a wedding for two women in 2002, he hesitated at first but then agreed.  Vanita: “He told me that when the women requested him to officiate at their wedding he thought about it and, though he realized that other priests in his lineage might disagree with him, he concluded, on the basis of Hindu scriptures, that, ‘marriage is a union of spirits, and the spirit is not male or female.’”

Srinivasa Raghavachariar, a well known Sanskrit scholar and Hindu priest of the major Vaishnava temple in Srirangam, India, deliberated upon the same issue and came up with a similar response: “Same-sex lovers must have been cross-sex lovers in a former life.  The sex may change but the soul remains the same in subsequent incarnations, hence the power of love impels these souls to seek one another.”

Swami Bodhananda Saraswati, a Vedanta master who took sannyasa initiation from Swami Chinmayananda and is the founder of the Sambodh Foundation with branches worldwide, had this to say on the subject of same-sex marriage: “There is no official position in Hinduism.  From a spiritual or even ethical standpoint, we don’t find anything wrong in it.  We don’t look at the body or the memories; we always look at everyone as spirit…Different priests may or may not perform same-sex weddings—it is their individual choice because there is no one position or one head of Hinduism.  I am not opposed to relationships or unions—people’s karma brings them together.”

Ruth Vanita also quotes Swami B.V. Tripurari, a sannyasi in the Gaudiya Vaishnava tradition:  “My opinion regarding gay and lesbian devotees is that they should be honored in terms of their devotion and spiritual progress.  They should cultivate spiritual life from either a celibate status, or in something analogous to a heterosexual monogamous situation…Although my Guru Maharaja (Srila Prabhupada) frowned on homosexuality in general, he was also very practical, flexible, and compassionate.  One of his earliest disciples was a gay man who once related how he had ultimately discussed his sexual orientation with Srila Prabhupada.  He said that at that point Srila Prabhupada said, ‘Then just find a nice boy, stay with him and practice Krishna consciousness’…I believe that Hinduism originally held a much more broadminded view on sexuality than many of its expressions do today.”

Of course, not all opinions are so favorable and open-minded.  Swami Pragyanand of Avahan Akhara, for instance, had this to say for a reporter from the Hinduism Today newspaper:  “Gay marriages do not fit with our culture and heritage.  All those people who are raising demand for approving such marriages in India are doing so under the influence of the West…we do not even discuss it.”  The diverse nature of Hinduism allows adherents to agree or disagree on this controversial issue.  Quite often, members of the same organization or temple will have varying opinions.  This is an advantage for gay Hindus who can then “vote with their feet” by avoiding priests with negative attitudes, such as the one above, and seeking out those with more compassionate and inclusive viewpoints.

Love’s Rite presents a refreshing array of new and encouraging material that will help this emerging debate along.  It is well written and thorough, covering all areas of discussion, but at the same time quite easy to read.  Divided into ten chapters, Love’s Rite explores such interesting questions as—How is marriage defined, now and in the past?  Who defines it?  What are the differences between marriage in India and the Euro-American West?  Is the spirit gendered?  What are the differences between marriage and friendship?  Who is qualified for child rearing?  What happens to couples when they are forcibly separated or pressured into unwanted marriages?  All of these questions are thoroughly addressed in Vanita’s new book.

The personal dimension of Love’s Rite is enormously moving.  In particular, Vanita examines the recent phenomena of joint suicides in India committed by (mostly) female couples encountering violent opposition to their relationships.  In the following example, a poverty-stricken lesbian couple on the verge of suicide bequeaths their last few rupees to the local Krishna Deity: “Among the items Lalitha and Mallika left behind was a greeting card showing a man and a woman kissing in silhouette against a sunset.  This card was not new; someone else had already used it.  Mallika had pasted a piece of paper over the sender’s name and written her own name on the paper.  Inside was her message to Lalitha, giving her ‘a thousand kisses in public.’  Lalitha’s note also stated, ‘The Rs. 25 placed in the diary is to be given as offering to Guruvayoorappan.’  Guruvayoorappan refers to the icon of Krishna in the temple at Guruvayoor, a famous temple town and pilgrimage site very close to the girls’ hometown, Trichur.”

Another incident occurred at a yoga center in Tamil Nadu: “Sumathi, 26, and Geetalakshmi, 27, had been living at a Yoga Centre in Coimbatore, Tamil Nadu, for three years.  Since they were somewhat beyond the conventional age for marriage, and were living away from their parents, it appears that their religious way of life allowed them to remain respectably single.  But the people at the Yoga Centre found out about their intimate relationship, and threw them out.  They had to part and return to their parental homes.  Unable to bear separation, they decided to commit suicide.  In a letter to their guru at the Centre, they wrote, ‘We did a mistake because of which you threw us out…We cannot survive in this society.  That is why we arrived at this decision.  Please forgive us.’”

Not all of the relationships end so tragically, though, especially when they gain the support of their families and local villages.  Vanita notes that in India, custom and community support far outweigh any legal validity—in fact, unlike the West, Indian law does not require marriage licenses, whether for the couple or officiating Hindu priest, and the majority of marriages conducted in India are not directly registered with the state.  The importance of family and community support in India cannot be underestimated and is something that is slowly increasing:  “More intriguing than parents who oppose same-sex marriage are those who come around to supporting it.  Newspaper reports represent several parents participating in their daughter’s weddings.  In some cases, the weddings appear to have been elaborate affairs, attended by many guests.  In none of these cases was any gay rights movement or organization involved.  The arguments that convinced these parents were not, then, those that might have been put forward by gay rights advocates.  The family members quoted in the newspaper reports represent themselves as wanting to make their daughters happy, and becoming convinced that they would be happy only if they married one another.”

Love’s Rite offers several examples of same-sex Hindu marriages performed in both India and the West, along with heartwarming photos of the happy couples and their weddings.  Some of the ceremonies are private while others are lavish celebrations attended by many relatives and friends.  Most of the weddings make use of traditional Hindu rites such as invoking fire as a witness, exchanging garlands and vows, chanting sacred mantras, tying garments together, taking seven steps around the fire, and so on.  In 2001, a Hindu priest of the Srivaishnava lineage conducted a commitment ceremony for a Hindu lesbian couple in Sydney, Australia.  He mentioned that in the Ramayana, a partnership ceremony between Lord Rama and Sugriva is described whereby Hanuman lights a fire and the two friends exchange vows, circle the fire together, etc.—very similar to a Vedic marriage ceremony.  The priest was of the opinion that such a ceremony was appropriate for gay couples.  Other Hindu priests model their same-sex weddings after more traditional Hindu gandharva or vivaha types.

The book contains many nice summaries of Hindu tradition and philosophy, especially in regard to ancient textbooks and their many gender-bending narrations involving Hindu deities.  In Chapter Five, the reader is treated to not one but three renditions of the story of Maharaja Bhagiratha’s miraculous conception by two females—a Bengali edition of the Padma Purana and two separate versions of the Krittivasa Ramayana.  In Chapter Eight, there is an interesting examination of same-sex love between females as recorded in Rekhti, Indo-Muslim literature from the eighteenth and early nineteenth centuries.  Using these and other textual references such as Kama Sutra and the Puranas, Vanita demonstrates how same-sex love and unions are by no means anything new to the Indian subcontinent.

In Chapter Seven, Love’s Rite explores the modern-day marriage arrangements in India of gay men and lesbians to opposite-sex partners.  Vanita writes:  “It is well known that in India and other supposedly traditional societies, large numbers of people live as apparently traditional heterosexuals, while secretly engaging in homosexual liaisons or leading lives of quiet desperation.  That the same is true in the West is less often acknowledged because many people assume that the openly gay community is synonymous with the entire gay population.  In fact, this is very far from being the case.” My one critique of this section is that Vanita fails to provide any scriptural evidence supporting or contradicting this modern day practice.  For instance, the Hindu concept of svadharma, or living according to one’s own nature and duty (as mentioned in Bhagavad Gita), seems to disagree with it, and verses forbidding the marriage of homosexual men to women can be found in Hindu texts such as Narada-smriti.  The story of goddess Bahucara, who curses her husband for dishonestly marrying her (he refuses her love and goes to other men instead), also comes to mind.  Nevertheless, Vanita recognizes the embedded tradition as highly questionable:  “While demonstrating that same-sex desire has existed in the past and still does exist within traditional families, I do not mean to suggest it flourishes there.  Among the gay Indians I know who have entered heterosexual marriage without telling their spouses, almost all have been plagued by fear, guilt, shame or regret…The few exceptions are those where both spouses are bisexual, or one is heterosexual and the other gay or bisexual, but they reach a mutual agreement not to be monogamous.  I do not have the data to examine the relative happiness of MOCs [marriages of convenience].”

Undoubtedly, this book will greatly assist anyone wishing to better understand the difficult and complicated topic of same-sex marriage from a Hindu perspective.  For most, the question will not be solved until one day, at some point in time, a dearly beloved friend or relative faces this issue in the most personal of ways.  This is exemplified by a soul-searching swami in the book’s final chapter:  “A couple of years ago, an eastern European devotee named Damodara hanged himself in a Vaishnava ashram in the US, after an Indian ashram had cancelled his trip to India when they found out he was gay.  Gaudiya Vaishnava monk Bhakti Tirtha Swami, wrote a soul-searching letter: ‘Recently, I have been making so much more effort in trying to open up my heart to be more available in understanding and serving all Vaishnavas…After hearing of Damodara’s suicide…I must say that I have seen the light…’” Another swami, Bodhananda Saraswati, reveals a similar mood: “We have to face this issue now…I’m sure spiritual persons will have no objection when two people come together.  But it is a social stigma…So what is required is a debate in society.  I have not debated it enough.  I have to do that.  I have a lot of people confiding in me, ‘I am very worried.  I am gay.  What should I do now?’”

In the beginning of her book, Ruth Vanita quotes San Francisco mayor Gavin Newsom, who, while presiding over that city’s civil disobedience against California’s discriminatory marriage laws in 2004, said: “Put a human face on it.  Let’s not talk about it in theory.  Give me a story.  Give me lives.”  In this light, I offer many thanks and pranams to Ruth Vanita for doing just that—she addresses the important debate of same-sex marriage in her new book, Love’s Rite, from a perspective that is not only scholarly but deeply personal.

Amara Das Wilhelm is a Gaudiya Vaishnava monk and author of the book, Tritiya-Prakriti: People of the Third Sex.

White Crane #70 – Behind the Mask of the Mattachine

Rvu_searsBehind the Mask of the Mattachine:
The Hal Call Chronicles and the
Early Movement for Homosexual Emancipation

By James T. Sears
Haworth Press; 540 pp; $34.95

Reviewed by Jesse Monteagudo

History – and the lesbian and gay community for which they did so much – ignore and neglect the pre-Stonewall, “homophile” activists. Even today many histories of the gay movement begin with the Stonewall Riots of 1969, tossing aside decades of ground-breaking political, educational and social work. With the exception of the iconic Harry Hay, and a few activists who continued their work and wrote their memoirs in the post-Stonewall years (Jack Nichols, Del Martin and Phyllis Lyon), gay leaders of the 1950s and 1960’s are unknown by today’s generation. Posterity has been singularly unfair to Harold Leland Call (1917-2000). Most of us remember Hall Call, if at all, as part of a conservative clique who in 1953 “stole” the Mattachine Foundation from Hay and other leftist idealists. Later, and after driving out his competition in the newly-named Mattachine Society, Call ruined its image by making it a “front” for his commercial enterprises, including an “adult” book store and movie house – the CineMattachine.

The truth, of course, is more complex. It remained for historian James T. Sears to remove the mask of the Mattachine and reveal the real Hal Call, both man and activist.  Based on extensive interviews with Call, his allies and enemies, Behind the Mask of the Mattachine is a tribute to gay America’s first activist generations. In fact, Dr. Sears goes back in time past Call and Company; back to the early part of the 20th Century and courageous trailblazers like Henry Gerber and Manual boyFrank. He then takes Call from his Missouri boyhood to World War II, Colorado journalism and then to San Francisco (1953) in time to confront Hay for leadership of Mattachine. If this book does not show Hay the way that he is accustomed to it is because Dr. Sears has given his opponents, almost for the first time, the right to give their side of the story.

In Behind the Mask of the Mattachine we read about the power plays, bitch fights and ego trips that consumed and eventually destroyed the Mattachine Society. We also learn about the very human men (and a few women) who dared to publicly advocate the rights of homosexuals at a time when most of their fellows were hiding in their closets. At the center of it all was Hal Call. A most contradictory man, Call was both a political conservative and a sexual libertine who hosted orgies in his apartment when most Mattachines (including Hay) were virtually asexual. Call realized, long before they did, that sex was the common factor that brought all gay men together; and it was sex that made us a community.

Behind the Mask of the Mattachine combines two of my favorite topics, politics and sex, as seen through the life of a most extraordinary man and of the Society that he eventually controlled. Dr. Sears reveals Call in all of his complexity; with his faults and failures along with his skills and successes. Thanks to Dr. Sears’ painstaking research, skillful writing and insightful analysis, gay San Francisco in the 1950’s – the Age of Hal Call – comes vividly to life.  Today’s generation of activists can learn much from Call and his contemporaries, from both their achievements and their failures.

Jesse Monteagudo is a freelance author, activist and frequent contributor to White Crane.  He lives in South Florida with his life partner.   Drop him a note at jessemonteagudo@aol.com

White Crane #70 – Williams’ & Johnson’s Two Spirits

RvuwilliamstobyTwo Spirits: 
A Story of Life With the Navajo

by Walter L. Williams & Toby Johnson
Lethe Press; 332 p $18.

Reviewed by Jesse Monteagudo

Two Spirits is a collaboration between two of our leading gay cultural figures.  Walter L. Williams is a historian and anthropologist who is best known as the author of The Spirit and the Flesh: Sexual Diversity in American Indian Culture.  Toby Johnson is the former editor of White Crane and author of various books of gay spirituality, history and culture. In Two Spirits the ideas that Professor Williams expounded in his earlier book are used in a fictional adventure that is as exciting as it is instructive.

In 1864 the U.S. Army under General James Carleton and Colonel Kit Carson decimated the Navajo nation (the Diné in its own language) and forced it to leave its ancestral home to settle in the Bosque Redondo reservation, where it barely survived in what was essentially a concentration camp. Only after Carleton was found guilty of corruption and removed from his post were the proud Diné allowed to return to their homeland, where they survive and flourish till this day.  Many of the Diné were gender-variant nadleehí, “two spirit” men and women who, as in other Native tribes, reached positions of great leadership and respect.

So much for history.  In Two Spirit these facts form the basis of a great historical novel. In 1867, the young Virginian Will Lee is sent to Fort Sumner in the Bosque Redondo reservation, where he is to serve as the government’s Indian Agent.  Though the unscrupulous General Carleton and his associates do their best to keep him in the dark, Will soon realizes that the people whose interests he is supposed to represent are being exploited by his own government forces.  Will becomes friendly with the down but not out Diné, particularly with Hasbaá, a young spiritual healer and gender-bending nadleehí.  This forbidden love between the “hairy face” Will Lee and the “two spirit” Hasbaá leads Will to question the values that he grew up with.  Together, Will and  Hasbaá set out to help free the Diné and allow them to return to their ancient home.

Two Spirits tells an exciting tale, about a way of life that is sadly no longer with us.  Though the Navajo/Diné nation has survived and prospered, like other Native nations it has given up many of its old ways, including the time-honored nadleehí.  Even so, those of us who are GLBT in the early 21st century can learn much from the experiences of the fictional Will and Hasbaá in the mid-19th century.  Two Spirits: A Story of Life With the Navajo is the well-deserved recipient of a development grant awarded by the Arch and Bruce Brown Foundation.  Williams and Johnson have given us a book that is both entertaining and inspiring.  As if that was not enough, Two Spirits features a well-written “Commentary” by Wesley K. Thomas, Assistant Professor of Anthropology, Gender Studies & International Studies at Indiana University and himself a gay Navajo.

Jesse Monteagudo is a freelance author, activist and frequent contributor to White Crane.  He lives in South Florida with his life partner.  Write him a note at jessemonteagudo@aol.com

White Crane #70 – Daniel Helminiak’s Sex and the Sacred

Rvu_helminiak Sex and the Sacred:
Gay Identity and Spiritual Growth

By Daniel Helminiak
Harrington Park Press, 235 pages, pb,  $16.

Reviewed by Toby Johnson

In engaging, easy-to-read prose, Daniel Helminiak addresses the central work of religion and spirituality today: to tease out the rich meaning and significance behind the myths and doctrines that have come down to us in the great traditions without getting trapped in literalism and superstition, that is, to rearticulate religion so it makes sense—and makes sense especially to and about—us lesbians and gay men who have been so influential in creating religion and yet who have been so victimized by it.

In this collection of essays spanning his career as theologian, Scripture scholar, psychologist, and gay spiritual apologist, Helminiak shows how true Christianity is not inimical to modern LGBTQ consciousness and indeed that spirituality—and gay spirituality in particular—transcends any and all specific religions.
Central to Helminiak’s thinking, expressed through some six books, is that spirituality is common to all human beings, including, of course, gay human beings, and that it is not necessarily linked with religion or belief in God. Indeed, the link is the reverse of what’s usually thought: it is spirituality that comes first—“the infinite longings of the human heart”—then come God and belief as natural outworkings and projections of that hunger.

Spirituality is a human psychological enterprise. And every person deals with these issues whether they identify them as religious or not. And because these issues are psychological, they necessarily include sexuality and they call out for sexuality to be understood with respect and not condemnation. For spirit comes out of the human heart and seeks to satisfy the hunger of the heart, not down from God or Church officials demanding repression of the heart for the sake of order and societal authority. Helminiak observes that this distinction between spirituality and religion (and God) may be his most important contribution.

The book consists of some fifteen essays that address various issues of importance to gay people: from coming out and achieving self-acceptance, the longing of the heart for infinity, and sexual ethics to the real lesson of Jesus’s example, the Church, the Bible, gay marriage, and even the effects in the human spirit of the terrorist war. The chapters are independent of one another, but read consistently as a more and more comprehensive presentation of what religion could and should be.

Daniel Helminiak is a precise and thorough-going thinker. Some of the arguments in the book may seem obscure and tortured. You can tell Helminiak doesn’t want to just cut through the Gordian Knot of Christian doctrine, but respectfully and intelligently to untie it strand by strand. Still the book is readable and entertaining, filled with interesting tidbits of Biblical and Church history that change how everything should be understood. His analysis, for instance, of the Council of Nicaea places the “divinity of Jesus” in historical context; what that idea meant to the creators of the Christian religion is much more subtle than the common Christian myth.

Perhaps most interesting and relevant are his discussions of real life issues: the spiritual lessons of AIDS, for instance, and appropriate gay sexual ethics. Even if you’re not especially concerned about Church history, these topics hit home—and with such positive and caring attitude.

Daniel’s right, I think, that his well thought out and thorough-going distinction between spirituality and religion is a major contribution. And this particular volume of his presents these arguments sensibly and very readably.
The essays on heaven as everlasting orgasm and on the homosexual modeling of relations within the Blessed Trinity are delightfully provocative and downright queerly brilliant.

Toby Johnson is former publisher and current contributing editor  to White Crane.  His newest book, Two Spirits, is reviewed in this issue.

White Crane #70 – Elizabeth Cunningham’s The Passion of Mary Magdalen

Rvu_cunningham The Passion of Mary Magdalen
by Elizabeth Cunningham
Monkfish Publishing
640 pages, $29.95
ISBN: 0976684306

Reviewed by Steven LaVigne

“The road to the country of life is hard. It blisters your feet and breaks your heart” writes Elizabeth Cunningham in her remarkably exciting new age biography, The Passion of Mary Magdalen. Subtitled The Maeve Chronicles, this massive, but refreshing feminist approach to the woman who’s a hero for many who draw strength from the Bible’s most enigmatic character couldn’t have been published at a better time. The worldwide sensation of Dan Brown’s The DaVinci Code has raised so many issues among the Christian population, it was only a matter of time before alternative viewpoints regarding the key people in Christ’s ministry would appear.

Cunningham takes us into the world of Maeve, nicknamed Red, who’s the daughter of the warrior witches of Tir na Mban, including Cailleach, Bride, and Dugall the Brown.  Using traditional Biblical concepts that she’s a reformed prostitute, rather than the theory she was born into a wealthy French family, Cunningham’s take on Biblical history and her epic storytelling style are unique.  Often The Passion of Mary Magdalen is written in the romantic style of a Harlequin Romance (she even asks readers if the story is “starting to read like a romantic novel,”), yet by combining modern phrases, such as “get a life” or “get over it” with such beautiful metaphors as “the wood is so still you could hear the leaves breathe,” Cunningham gives us a feminist hero for modern times.
Sold into Roman slavery, Maeve’s saga moves quickly from the brothel to servitude to Paulina, the virgin wife of the ancient Claudius. Befriended by Reginus, a gay slave, Maeve’s spiritualism is recognized and after an encounter with her stepfather, Bran, a Druid warrior who, as Rex Nemorensis, guards the holy tree in Diana’s forest, she’s raised to the level of priestess in the Temple of Isis.

The Fascist emperor, Tiberius Caesar forces changes in Rome and the story moves to Judea for its second half, where it really takes off.  Using William Blake’s poem “And Did Those Feet” as a basis, Maeve explains that the lost (Gnostic) gospels are mostly speculation, when Esus (the Celtic name for Jesus) aka Yeshua, enters the story in Chapter 37.  Franco Zefferelli modernized the Virgin Birth by having Mary go through labor pains in Jesus of Nazareth and Cunningham further modernizes the Mother by drawing an unflattering portrait of Miriam/Mary.

Cunningham creates a complex woman, conflicted in her love for Jesus and her need to serve Isis.  She has a sexual relationship with Jesus, thus humanizing the man, and she connects the tale of the Good Samaritan to Jesus’ 40-day fast in the desert, having the Samaritan deliver him to the Temple Magdalen, built to worship all goddesses and gods, because “all things are possible.”  Baptized by John in the river Jordan, Maeve dislikes Simon Peter, calling him “Rocks for Brains,” and Cunningham focuses on Maeve’s passions, especially in the saga’s compelling second half.

The Passion of Mary Magdalen has been rightly compared to Marion Zimmer Bradley’s The Mists of Avalon.  Just as that book told the legend of King Arthur from the women’s viewpoint, The Passion of Mary Magdalen by Elizabeth Cunningham brings its title character into modern times by creating an extraordinary perspective of the woman loved by Jesus.  For the novice, the Biblical scholar and the Feminist, this is a book that’s not to be missed.

Steven LaVigne lives in Minneapolis, Minnesota and is a contributing writer to White Crane.

White Crane #70 – Lawrence Schimel’s Two Boys in Love

Rvu_schimel Two Boys in Love
by Lawrence Schimel
7th Window Pub
170 pages, $13.95
ISBN: 0971708940

Review by Steven LaVigne

If you pick up a copy of Lawrence Schimel’s Two Boys in Love, your first impression is that it’s a beach read. Two hunks are facing away from one another, the blond cruising the dark-haired man in the foreground. But what riches are hiding inside this delicious collection of short stories.

The first half features nine stories, all of them told in a second person narrative that creates both a comfortable mood and an erotic tone. In “The Book of Love,” one man cruises another at the bookstalls of Barcelona’s Ramblas, taking a chance on love, while “Marchen to a Different Beat” brings Hansel and Gretel into Cinderella territory with a high school dance, a gay fairy named, of all things, Mary, and a Prince Charming named Jack, complete with a comment about his “beanstalk.” In another gay fairy tale, a young man asks a witch for help by working to earn a love potion.

Two of Schimel’s erotic New York tales are rich in sexual images. In “Season’s Greetings,” two men pleasure themselves at the window across an air shaft, while “The Story of Eau” has never made bathing seem so exciting. By far, the most compelling story in the collection, however, is “The River of Time,” wherein the narrator disposes of his best friend’s ashes in the water near the Christopher Street docks, only to encounter strange happenings later on. This story is remnant of “The Brocaded Slipper,” the Vietnamese version of the Cinderella legend, which brings redemption and resurrection to the story.

The second half of Two Boys in Love is a series of five short pieces about Carles and his mysterious boyfriend, Javi. Throughout the tales, told from Carles’ point of view, he fends off the feeble advances of a Frenchman, fantasizes that the motorcycle man who delivers Javi for a date is David Beckham (who’s evidently had gay affairs if you read the tabloids, although no one’s ever come forth to confirm this), and learns about Javi’s relationship with a straight couple who wants to experiment. In the end, though, it’s clear that these two boys are really in love with one another.

Two Boys in Love may be a book for the beach or the bathtub, but it’s a pleasurable experience wherever you partake in Schimel’s exquisite writing.

Steven LaVigne lives in Minneapolis, Minnesota and is a contributing writer to White Crane.

White Crane #70 – Mark Jordan’s Blessing Same Sex Unions

Rvu_jordan Blessing Same-Sex Unions:
The Perils of Queer Romance
and the Confusions of Christian Marriage

By Mark Jordan
University of Chicago
258 pages, HB, $29.00

Reviewed by Toby Johnson

Mark Jordan is Professor of Religion at Emory University, author of two influential and mind-blowing books on the history of the idea of “sodomy” in Christian Church history and several other books, and he is a marvelous writer and rhetorician.

Blessing Same-Sex Unions is a delight to read. At times, of course, it is precise and theological. There’s nothing lax about the book’s argumentation. But it’s written with a certain whimsy and delightfully arch rhetorical style. In the Epilogue, Jordan compares the book to an opera buffa, a comedy of manners, and his narrative voice perhaps to what he calls “the avuncular parson’s winking approval.” From behind the curtain of his serious theological and cultural commentary, you can occasionally imagine the author sticking his head out, smiling at the audience, and delivering a great one-liner—or maybe giving a campy raspberry to all the seriousness.

Blessing Same-Sex Unions takes a different point of departure from usual for discussing gay marriage. Instead of arguing about rights and benefits and human or American liberties, Jordan addresses the question of ceremonies: what is a “wedding”? how do you put on a properly “gay” wedding? what does it mean to “bless” the union? what is the “union”?

One of the reasons, perhaps, that Jordan’s prose is so pleasantly mannered is that he is acutely concerned with language and complains that the language used to debate this contentious issue is usually imprecise and misleading. So he spends considerable space in the book analyzing the language of religion and particularly of marriage and relationship.

I recommend the book simply for its enjoyable readability and its occasional comedy about what is often so “deadly serious” on both sides of the debate. But, of course, the content matters and Jordan’s take on the content is refreshingly different from the usual.

As part of analyzing “marriage,” Jordan looks at the real issues: the wedding and the commitment (to what?). In one of the more humorous sections, he picks apart an issue of Modern Bride Magazine, showing that weddings are really for ceremonies for women and they’re mostly about spending exorbitant sums of money on dresses and catering. He jokes that gay men are intrinsic to weddings—but usually as the dress designers, the planners, and the caterers (and maybe the priests!). Weddings are big business in America. They’re done through the Churches, but really have very little to do with religion.

As a Church historian, Jordan solidly refutes the notion that heterosexual marriage is the fundamental building block of society and has remained unchanged through Church history. Early Christianity did not approve of marriage at all. St. Paul wanted all Christian believers to abstain from sex, reproduction, and marriage as he did. The early Christians believed the end of the world and the return of Jesus were imminent. Having children and planning for the future were signs of unbelief. And monogamy and indissolubility as the central characteristics of Christian marriage are new ideas, certainly not consistent with the polygynist model of the Biblical patriarchs. Even Jesus’ teachings on marriage have more to do with honoring women as equal human beings than with offering a legal structure for or a theology about sex.

Christianity has been traditionally anti-sex and anti-pleasure. So marriage is less about legitimating sex or discovering the mystical significance of sexual consciousness than it is about keeping inheritance lines clear and placing sexuality in a pattern that ultimately subordinates it to child-rearing.

A theme that runs through the book is how modern gay men and lesbians might be reforming marital and childrearing expectations, perhaps, by doing it better. The (surreptitiously anti-sex?) Fundamentalists complain that gay marriage shouldn’t be allowed because gay people (men especially) are more likely to be pro-sex and liberal (adulterous?) with one another. We gay men might argue, for instance, that a little outside sex, especially engaged in honestly and forthrightly within rules like “only when the partner is out of town,” can actually strengthen the bond of love between the partners. That’s what the “family values” people call redefining marriage and worry that our gay adaptations to reality might allow all marriages to be happier, more stable, and—god forbid!—more sexually satisfying.

One of the most interesting discussions in the book is based on analysis of love letters from earlier times. In the letters between the literary critic F.O. Mathiessen and the painter Russell Cheney, for instance, who were lovers from 1924 to 1945, Jordan finds a definition of male love and bonding that blends Walt Whitman’s enthusiasm for embodiment with conventional marriage to come up with a notion of loving “companionship, devotion, and laughter” that enhances personal freedom rather than constraining it.

Jordan looks at “rites” and “liturgies” to see just what is being blessed. Looking at several scripts for gay marriage ceremonies, he elucidates just what kind of commitment the partners might be entering into based on the words they use in their, perhaps personally composed, vows. He also analyzes John Boswell’s arguments that “Pre-Modern” Christianity actually had rituals for same-sex bonding.

If you’re rushing out to join the crowd demanding the same rights—and rites—as heterosexuals because it’s the cause celebre of the moment, you might be more interested in one of those guides to gay marriage, with referral pages for the best costumes or most stylish comestibles for the reception. But if you want to delve deep into the meaning of what such a “blessing” is, here’s the book for you. And it’s a fun read!

Toby Johnson is former publisher and current contributing editor  to White Crane.  His newest book, Two Spirits, is reviewed in this issue.

White Crane #70 – FM3’s Buddha Machine (Music)

Buddhamachine Music
FM3 – Buddha Machine
Label: Staalplaat 2006 $22.99
http://www.staalplaat.com

Reviewed by Bo Young

FM3 is an electronic act based in China, an act known primarily for a (very) minimalist bent and, apparently, their ability to subdue live crowds into absolute Alpha-wave silence. As such, it only makes sense that they be the act to introduce Staalplaat’s Buddha Machine series. The Buddha Machine is a unique sound box, made in China (isn’t everything these days?) that comes with an integrated speaker, a volume control, mini jack-out…even two AA batteries…and a switch to choose between nine different loops stored on a small chip and can be directly played by…and only by…this mini sound system.

The Buddha Machine is ambient music. If you ever listened to flautist Paul Horn’s classic Taj Mahal recordings you are halfway there. It’s background music, but it is also art form in and of itself. The music, that never stops, relaxes you and stimulates you at the same time. And, it’s a nice little adult toy that you will like to hold in your hands, play with and carry it with you.

It’s a little plastic box that plays music. FM3 composed (constructed?) these nine drones (or so we are told…it’s kind of hard to count them, I keep drifting off or I go off into some creative jag when I am listening to it. I can’t swear to the nine) that vary from two seconds to forty-two seconds; they repeat endlessly in the listener’s ear until the "track" is switched to the next drone (or the two AA batteries run out).
The machine has (is?) its own built-in speaker, in case one would like to fill a room with the drones, but there is also a headphone jack for more personal meditative experiences. There’s a switch on the side that allows for traversal of the tracks, and a DC jack (no AC adapter) for those who would like the Buddha Machine experience be truly endless. In a way, it’s like the cheapest pre-loaded iPod you’ll ever be able to buy. It even comes in different colors, displayed minimally on the side of the lotus bedecked, blue box in which the box comes. Seven colors. (Mine’s a monkish saffron). Nine drones. Having only purchased one of these (well, two if you don’t count the one I had sent to Dan) I can’t verify that every Buddha Machine has the same content. Somehow I’d like to imagine they don’t. Collect them all!
At its minimalist little heart (see illustration), however, the Buddha Machine flies in the face of the downloading—if not the collecting—age. First: the entire point of the release is to have the little box.

Sure, theoretically you could download each of the drones (available in mp3 form on FM3’s website), set "repeat" in your media player of choice, and have something close to the original effect, but you lose much of the effect, the “aura,” if you will, of the work that way—evaluating the drones purely on the basis of their musical merit is entirely different than evaluating them as an aspect of an odd little artifact. Second: the sound of the drones via the machine is, in fact, very, very lo-fi; there is an audible buzz in the speaker as the volume gets higher, not to mention a fair amount of hiss that accompanies the drones at any volume. An argument could be made that the constant hiss and crackle is a part of the music (much as the point of John Cage’s 4’33" is not the silence, but the sounds surrounding that silence), lending a bit of entropy to the largely static drones.
All of this is not even to mention the idea that in an age where "how much have you got?" is at least as important a question as "how good is it?", an entire release that contains just under three minutes of unique sound is quite the rara avis.
The drones themselves are largely wonderful, whether carefully studied or relegated to the background. Most of the drones are (if my online translation skills don’t fail me) named after animals and musical instruments, with a couple given the nondescript names of "b1" and "b2", and the final drone named after the verb "To Dance.” The first drone, translated "Horse," is particularly lovely, two repeated organ-like tones that last about fifteen seconds each, which after a while create a lovely, moody, minor-key atmosphere. "Sheep" actually features a melody, that when repeated for a couple of minutes, becomes one of the most peaceful of the drones for its simplicity and use of empty space. Even "b1," (that’s “be-one”…or is it “bone?”) composed with a single, decaying chord only six seconds in length, could slow your heartbeat with its insistence on never, ever moving. The process itself is mesmerizing. I would listen to a drone—for who knows how long?—and then switch the little side switch, back or forth, switching from one drone to the next. Like I said…there are, reportedly, nine of them. I can’t quite count that high when I listen to this…this…box…

The Buddha Machine is more than a little novelty. That’s part of its charm. You can have a little pink (or red, or black, or orange) box that plays ambient music. You can display it. People will ask about it. It’s an icebreaker. But what’s truly special about it is what FM3 has done with a tiny bit of recording space on a little speaker. It’s mesmerizing. It’s portable relaxation. And if you’ve read this far, admit it—you know you want one.

Buddha Box is available one line at Jazz Loft or at Amp Camp at Amp Camp 

Bo Young is Publisher and Editorial Director of White Crane.

Gay Men’s Leadership Academy – Part Deux

Peter Lien is a friend, a photographer, a genius, a sweetheart and a faerie king.

When you click on that link, be sure to watch his film on HIV in Uganda: The Wisdom Keepers of Uganda: Effectively Responding to HIV in Africa. It is incredible.

Because that film is so lovely, it is even more exciting to tell you that he did a wonderful, short (41 minute) interview video of the White Crane Gay Men’s Leadership Academy.

Enjoy the beautiful men.

Enjoy the sweet stories.

See who we might be…