Category Archives: Entertainment

The LAmmys

Broughton_all_cover I loved every minute of the Lammy’s evening of awards. Congratulations to the Lammys, which have moved to Los Angeles (along with Charles Flowers, the real loss for New York). Twenty years is no small accomplishment. May you continue forever.

Alas, White Crane’s ALL: A James Broughton Reader was, inexplicably, not a finalist for the LGBT Arts and Culture category. I have to admit…all sour grapes aside…I don’t understand how this important collection of one of the leading voices of queer writing and film could be so blatantly ignored. Winning would have been gravy. But it should have been a finalist. There…I got that off my chest.

Friend, Kitt Cherry, was nominated for her boook Art That Dares was one of five books chosen in the LGBT Arts and Culture category. Unfortunately it didn’t win, but congratulations Kitt. You do wonderful work and we’re proud to feature your work in White Crane. [2008 Lammy winners]

It was a wonderful evening. It was a delight to be in an auditorium with all the hardworking GLBT authors. I think the Lambda Literary Foundation needs to rethink the process and break down and let the winners know they’ve won. Too many of them opted not to fly cross country (when flying is nothing short of a penance!) only to find out that they hadn’t won. Personally I think we owe it to our own institutions to support them, whether we’re winners or not (or…ahem…finalists!) But practical is practical and if the Lammys really want to be the important award they are, it sort of undercuts that end when the winners aren’t present to receive their beautiful crystal book award. And there’s far too much attention to the big publishers…[and they wonder why Gay publishers are folding left and right?]

I’m not quite sure what our sisters made of all the “penis humor” which was…shall we say…somewhat flaccid? But equal time for bad Lesbian humor was well-represented by a Lesbian comic troupe called "The Gay Mafia" performed a Lesbian science fiction scene that was, at best, sort of obligatory. And why is it that Lesbians get to make penis jokes and if Gay men said anything about women’s genitalia we would lose ours? Let it be duly noted: Lesbians can be as embarrassingly bad as Gay men.

For the most part, this is a graying (if eminent) crowd. Youth was represented, but there was, overall, a nice balance of age. The President of the LLF has been handed off (in another series of penis allusions with a "baton") from the eminent and splendid Terry Decrescenzo to best-selling author (and son of newly-minted Christian, Anne Rice) Christopher Rice in a clear play for the Los Angeles celebrity and youth crowd. I get it. Lambda needs to do this. The whole publishing world needs to get connected with the short-attention span crowd. At least he’s out-Gay. For the Los Angeles Gay scene, this is not always a given (see "Hilton, Paris/Gay Pride 2005").

There was a moving (if somewhat overlong) "In Memoriam" slide show, that had all the authors who had died in the past 20 years — 1988 to 2008, since it was the 20th anniversary of the Lammys. Tears and fond sighs were the order of the day as all our literary heroines’ and heroes’ faces looked out at us from the silver screen. Even Valerie Solanas, the radical feminist who wrote "Scum Manifesto" and who shot Andy Warhol, was up there. The obligatory applause response sort of faded away long before the slide show was over. Maybe some of the authors in the slide show were not well-known to everyone in the audience. But my suspicion was more along the lines that the reaction was “Why are we doing this?” Is it really necessary to parade this dirge-like presentation? I’m all for acknowledgment of our elders and our ancestors, to be sure…but it seems to me it might have been a little more celebratory in tone as opposed to the somber tone it took.

Ann_bannon Mystery pioneer Katherine V. Forrest presented a Pioneer award to Ann Bannon, Beebo who wrote the  Lesbian Beebo Brinker novels in the 1950s, which has recently been staged by our friend Linda Chapman (The Beebo Brinker Chronicles), and whom every Lesbian of a certain age has read and revered. Her character Beebo Brinker is nothing short of legend. Forrest attested, as she struggled not to cry, she that Ann Bannon’s books had saved her life. This is what all this publishing is all about. And we must never forget that. Every day, somewhere, there is some Gay kid looking to find some reflection of himself or herself in the world. Like most people, the only place I ever found it was in the dictionary. Ann Bannon is a lovely woman, whose warm smile lit up the room. Her books saved lives. I had the pleasure of meeting her in New York when The Beebo Brinker Chronicles opened and she couldn’t have been more delightful then, and more deserving of this acknowledgment now. Congratulations to Ms. Bannon.

Malcolm_and_kitt Finally, the other Pioneer awards went to our dear friends Malcolm Boyd, who is Mark going to be 85 years young this very weekend, and his lion-hearted partner, Mark Thompson, both White Crane authors and contributors. They’re both grand old gay men of letters. White Crane has published the essential Malcolm Boyd reader in recognition of his 85th year, A Prophet in His Own Land: A Malcolm Boyd Reader.

In all…a lovely event. On a personal note, Mark and Malcolm hosted me in their beautiful home for a very smart (in every sense of the word!) cocktail party with the literati of Los Angeles in attendance. I must admit it was a real honor to have such an illustrious and accomplished crowd assembled…to say nothing of it being in my honor (and Malcolm’s, too). To return to the City of Angels after 25 years and receive such a welcome was gratifying, humbling and sweet. Thank you M & M!

Blog Catch-up and A Gay Olympian

I am SOOOO behind on posting here: the Harvey Milk Memorial (for which White Crane was a sponsor)..the Lammys (now moved to Los Angeles)…a wonderful party thrown for White Crane by Mark Thompson and Malcolm Boyd (with the lovely literati of L.A. in attend)…the Cockettes in New York (the performance, last night, was beyond brilliant)…more on that in good time…

…but for now, let’s celebrate an out Gay athlete, Aussie 10-meter platform diver, Matthew Mitcham, who will be thrilling one and all in China this summer.

Matthewmitcham_narrowweb__300x450_2 I have serious reservations about the Olympics in China, which seem like nothing so much as Berlin 1936 redux. But months out from the Games, Mitcham has taken the courageous step (as opposed to the a career-advancing step) of revealing his sexuality to the media for the first time (when it might actually hurt him). Mitcham has applied for a grant through a Johnson & Johnson Athlete Family Support Program to have his life partner, Lachlan near him in Beijing. Any readers Down Under might think about sending a note in a J&J direction.

"We can’t afford for Lachlan to go at the moment," Mitcham said. "But Johnson & Johnson offer grants to go to Beijing and I’ve nominated Lachlan as the support person I want to go." It’s not only Lachlan who has helped Mitcham to Beijing. His coach, Chava Sobrino, had faith in him when no one else did and resurrected his career. Former athlete Sarina Bratton cares for him like a son and fellow diver Alex Croak is a constant sounding board and his best friend.

"That little support network has made my dream possible," Mitcham said. "It would have been impossible and I probably wouldn’t have made it without their help."

True Gold.

New from Sandi Dubowski…

Parvezsharmafilming 

A JIHAD FOR LOVE
Opens Wednesday, May 21!
Showtimes:
May 21 – Tue May 27:
11:20am, 1:15pm, 3:10, 5:05, 7:00, 9:30pm

"Revealing and moving… a gifted filmmaker." – Wall Street Journal

Four_iranian_refugees_2

A groundbreaking look at Gay and Lesbian Muslims, A JIHAD FOR LOVE uncovers a hidden face of the world’s fastest-growing religion. Shot over five years in 12 countries and produced by Sandi Simcha Dubowski (Trembling Before G-d) this moving documentary explores reconciling faith with sexuality in societies where "debauchery" can be punished by imprisonment and even death.

Embodying the literal meaning of jihad as "inner struggle," the film’s subjects reveal the hopes of a community fighting for its place in the heart of Islam.

The Cockettes Are Coming! The Cockettes Are Coming!

Oh no they’re not…they’re just breathing hard!

Greeksgeerdes2 A COCKETTE SYMPOSIUM

Thursday, June 5. 7:30 – 9 p.m.
LGBT Center, 208 West 13th Street, Kaplan Assembly, First Floor
Admission: FREE, no reservations required.

Join the largest New York gathering of Cockettes since their theatrical catastrophe at the Anderson Theater in 1971. In 1968 this psychedelic-fueled gender bending troupe of men, women, children, Gay, straight and in-between became legendary for their performances at San Francisco’s Palace Theater. At the cultural forefront of Gay Liberation, these bearded hippie drag queens showed generations to come the creative potential within us all. Moderated by Steven Watson, chronicler of the American avant-garde and author of Factory Made, The Beat Generation and The Harlem Renaissance, and hosted by John Waters’ superstar Mink Stole and HRH Lee Mentley of the Hula Palace, the evening promises to be historic. Cockettes scheduled to appear include Scrumbly, Sweet Pam, Rumi, Fayette, Harlow, Jet, Tahara, Sebastian, Toots Taraval, Jim Campbell and Dolores DeLuce.

Contact: Robert Croonquist at rcroon@nyc.rr.com

ADDITIONAL INFORMATION

A Cockette Symposium is one of a series of events in New York the first week in June will bring a dozen of the original Cockettes together on the East Coast for the first time since 1971 to mark the donation of the Martin Worman Cockettes / Gay Theater Archives to the New York Public Library for the Performing Arts, Billy Rose Theater Division at Lincoln Center.

The other events include:

The Northeast Radical Faeries and the Sisters of Perpetual Indulgence Present

THE COCKETTES ARE COMING:

AN EXTRAVAGANZA TO BENEFIT FAERIE CAMP DESTINY

Monday, June 2. Bazaar, Refreshments and Films from 6:30 to 8 p.m. Performances at 8 p.m.
At Theater for the New City, 155 First Avenue at 10th Street.
Admission, $30. Bake Sale and Bar, Faerie Wares and Services—Priceless

For tickets go to: http://www.faeriecampdestiny.org
For further info contact: Jeff Huyett, NYDayZee@aol.com , 646 263 9137

Rumi Missabu of the Cockettes & the Camaraderie Art Salon present:

A COCKTAIL OF GLAMOR AND ANARCHY

Wednesday, June 4. 8 p.m. with a possible second show at 10 p.m.

At Monkeytown, 58 North 3rd Street between Wythe & Kent, Williamsburg, Brooklyn, Bedford subway stop.

Admission FREE with two drink minimum. Dinner reservations encouraged, 718 384-1369

Further info at: mailto:camaraderieartsalon@yahoo.com

The Cockettes

The Cockettes emerged from the communal movement in San Francisco in the late 1960’s. Founded by Hibiscus and other members of beat writer and publisher Irving Rosenthal’s Kaliflower commune, the Kitchen Sluts, as they were first known, would entertain as they delivered food and newsletters from Rosenthal’s Free Press to an intercommunal food network of over 300 households. Known for their outrageous bearded drag, sequins, glitter and camp, the queerly androgynous troupe made street theater and performance history on the stage of the Palace Theater at the Nocturnal Dream Shows, midnight showings of camp film classics. Word of their shows spread by word of mouth and through San Francisco Chronicle columnist Herb Caen. The Cockettes were officially discovered by Rex Reed, Truman Capote and Joanna Carson and were whisked off to New York where they were feted by Vogue editor Diana Vreeland and held court at Max’s Kansas City. Their cockeyed optimism was welcomed by many but at odds with the irony and cool of New York during the Warhol era. Those who flocked to see their premiere at the Anderson Theater included Anthony Perkins, Allen Ginsberg and John Lennon. As Sylvia Miles said, “Everybody who was anybody was there.” And they were not amused; the evening was a catastrophe. Angela Lansbury is said to have risen from her seat midway through Act One and exclaimed, “Get me the fuck out of here,” and Gore Vidal quoted Arthur Laurents’ Gypsy, “Having no talent is not enough.” After the glitter settled, the Cockettes returned to San Francisco where they created their most successful shows. Cockettes who became famous in their own right include disco diva Sylvester, Café Society pianist Peter Mintun and Cockette guest star Divine.

The Martin Worman / Cockettes / Gay Theater Archives 

Martin Martin Worman was a playwright, director, actor and lyricist during the height of the Gay Liberation movement in the 1960’s through his death of AIDS in 1993. A Vietnam Era veteran from Paterson, New Jersey, Worman left Fort Dix for a life in the theater in San Francisco where he was a member of the legendary troupe known as the Cockettes. He wrote book and lyrics for several of their most renowned shows including Hot Greeks and Vice Palace which featured John Waters’ superstars Divine and Mink Stole. He was known as “The Cockette Who Can Read” because of his multiple academic degrees, a secret he carefully guarded from the street-based, anti-professional ethos of the time.

Worman continued his musical collaboration with Cockette Richard “Scrumbly” Koldewyn, writing musical revues and plays, most notably the 1972 musical Rickets: A Day in the Life of the Counterculture. Influenced by the theater of Bertolt Brecht, Worman viewed himself as a cultural worker and saw theater as a weapon in the struggle for Gay Liberation. In 1975 he co-founded the San Francisco-based Gay Men’s Theater Collective whose award-winning play Crimes Against Nature was brought to New York. There Worman assisted Robert Wilson and Jack O’Brien, directed Lola Pashalinski in her Obie winning performance of Steven Holt’s Cold, Lazy and Elaine and adapted Sherwood Anderson’s The Man Who Became a Woman for Steven Keats at Theater for the New City. At his death he was Associate Professor of Theater at Antioch College in Yellow Springs, Ohio, where he adapted Meridel LeSeuer’s Midwest populist writings to the theater. The 90 hours of interviews he conducted with Cockettes in 1987 during the height of the AIDS epidemic include a deathbed interview with disco diva Sylvester. His unfinished dissertation at NYU on the history of the Cockettes became the basis for David Weissman and Bill Weber’s acclaimed documentary The Cockettes.

Worman created extensive archives of his work in the theater, including 600 pages of Cockette interviews transcribed by his partner Robert Croonquist who safe-guarded the archives and is now donating them to the New York Public Library for the Performing Arts, Billy Rose Theater Division at Lincoln Center.

The Potency of Noël Coward

For other reasons altogether, I was in search of the source of the quote:

"never underestimate the potency of cheap music."

Now…a quip of that nature can only have come from a limited handful of sources…I was initially guessing Oscar WildeMark Twain probably said something similar. But no. It was our dear, dear Noël Coward, of course, putting the words in the mouth of his beloved Gertrude Lawrence as she played "Amanda Prynne" in Private Lives (a role he wrote specifically for her, with him playing opposite as "Elyot Chase".)

And so…apropos of nothing other than my own recent reading of The Letters of Noel Coward (a delectable read of the first order)… and, of course, it’s Friday and it’s been a long week…here, ladies and gentemen is the estimable Sir Noël Coward potently–and inimitably–singing one of his own, most famous, but hardly cheap, songs.

Enjoy:

20/20 on Gay PDAs

In case you missed it, ABC’s program 20/20 had an interesting segment on the public reaction to gay public displays of affection.  It was a hidden camera investigation using two real gay couples, one male, one female.  They started in Birmingham, Alabama and then redid the experiment in New Jersey.  The responses were what you might expected but some were heartening.

We’ve got your American Idol RIGHT HERE!

FULL-TIME PERFORMANCE OPPORTUNITY WITH THE KINSEY SICKS!

What could be more thrilling? More life-changing? More fun? More nauseating?

THE JOB:

Sicks The Kinsey Sicks, America’s Favorite Dragapella Beautyshop Quartet, is seeking a serious and skilled performer for a long-term full-time commitment as an actively performing swing. We are looking for:

* Substantial stage experience
* Strong musicianship
* Great talent in comedy and comedic improvisation
* Comfort with drag performance
* Ability to portray a comic character in an ensemble context
* Ability to learn complicated 4-part vocal arrangements in limited time
* Willingness to travel, perform live, and potentially appear on screen
* Willingness to chip in on some of the less glamorous aspects of travel and performance (including stage/dressing room set-up, meeting/greeting audiences, selling merchandise after shows)
* Decent business skills, progressive politics, good communication and the ability to work in a team.

A cappella experience is a plus but not required. Being part of the Kinsey Sicks is incredibly fun. You should be too. We want you to be as excited about what we do as we are. This position is open until filled.

TO APPLY:

Send a resume to info@kinseysicks.com, along with a headshot or recent photo, plus any materials you think would help us see your skills.

AUDITIONS:Sickskinsey

The Kinsey Sicks will be touring throughout the spring and early summer, and we will audition qualified applicants as we tour. Let us know if you can make it to any of the following places:

April 10: Cleveland, OH
April 11-12: Providence, RI
April 13-14: Lincoln, NE
April 16-18: Hamilton, NY
April 23: Richmond, KY
May 11-15: Las Vegas, NE
May 17: New Hope, PA
June 6: Dallas, TX
June 7: Salt Lake City, UT
June 14: Spokane, WA
July 11: San Francisco
July 12: Seattle

Please circulate this email among your friends who perform, or who sing in choruses, or who otherwise are exceptional talents who might fit well with the Kinsey Sicks.

WHO WE ARE:

For over 14 years, the Kinsey Sicks, America’s Favorite Dragapella Beautyshop Quartet, has served up a feast of music and comedy to audiences across the US and abroad. Combining award-winning a cappella singing, sharp satire and over-the-top drag, the Kinsey Sicks tours full time, having performed in 37 states as well as Mexico, Canada and Europe. The Kinsey Sicks have had their own Off-Broadway run at New York’s legendary Studio 54 as well as an extended run in Las Vegas. They have released five CDs and are the subjects of two feature films: "I Wanna Be a Republican," released in 2006, and "Almost Infamous," slated for release in 2008. For more information, visit www.kinseysicks.