WE can (and should) debate whether or not Marriage Equality is a fight worth fighting for or not. The assimilation of gay folk into an “institution” of such questionable history and stability has never really been talked about in a larger venue, as it needs to be.
But this video breaks it down in the simplest matter of equality. And if one should, or would, choose to be married, then, dammit, one ought to be entitled to all the same rights and responsibilities as the next person.
Bill Bowersock was with his beloved Harvey Frand for 32 years. Both paid into the Social Security system over that time and, in their retirement planning, they counted on both checks to get them through those later years. When Harvey passed away, Bill was not entitled to any of Harvey’s benefits, benefits that are granted to heterosexual couples.
Here is a video that was created to tell their story that has been picked up by numerous sources.
Thanks to David Mixner for bringing this to our attention.
White Crane friend, advisor—and
all round mensch—Malcolm Boyd, will give a concert reading of his prayer-poems
accompanied by a jazz trio at the2010 Sausalito
International Film Festivalon August
14. Musicians appearing with Boyd are guitarist Johnnie Valentino, composer
Scott Page-Payter on keyboards and percussionist
Marino Bambino.
Boyd's words are combined with musical themes by the late legendary
jazz musician Vince
Guaraldi. "The Anatomy of Vince Guaraldi," a new film in
which Boyd appears, will be screened at the festival. Over four weeks in 1966 a
remarkable series of performances at the hungry i
nightclub in San Francisco's North Beach captured the imagination of hip
audiences and resonated around the world. Dick Gregory gave the stage to
Guaraldi and Episcopal priest-author Boyd. Prayers, Beat poetry and jazz
fused. Though covered by global media the performances were never
recorded. Very few had an opportunity to experience this happening. Until
now. The prayer-poems are from Boyd's bestselling classic "Are You
Running with Me, Jesus?"
You may remember Stuart Timmons as the co-author with Lillian
Faderman of the book Gay LA. As members of this listserv, you may also recall that about two and a half years ago, Stuart suffered a
massive stroke that left him at death's door for what seemed like a very long
time. White Crane was involved in raising the funds necessary for the additional therapy Stuart was going to need. We knew then it was going to be a long hard road to recovery.
So it is with no small amount of pride and joy we report that with the attention and loving care of his family, especially his
sister, Gay, and friends like as Mark Thompson – he's really made a remarkable
recovery! So much so that it looks like he's going to help with the
celebration of what would have been Harry Hay's 100th birthday. Nice to get
some good news!
Thompson, a member of the White Crane Advisory Board, and former editor at The
Advocate, sent this wonderful news about historian Stuart Timmons:
Longtime
friends of author and community activist Stuart Timmons gathered last week
to celebrate his remarkable recovery from a major stroke two-and-a-half
years ago. Timmons, 53, is still wheelchair bound, but is now fully
mentally alert and with the ability to speak and move about with assistance.
He is expecting a return to his research and writing about GLBT
history and is especially delighted with the invitation
to participate in Centennial celebrations honoring the life and
work of gay movement founder Harry Hay.
A
two-day conference at City University New York and a major exhibition at the
San Francisco Public Library are in the planning stages, with other
cities soon to be included. Stuart wrote the award-winning biography on the
legendary gay rights leader, The
Trouble With Harry Hay, in 1990. Harry Hay was born on Easter
Sunday, April 7, 1912, in Worthing, England, although he lived many decades
of his life in Los Angeles.
HRH
Lee Mentley added:
Stuart
is doing amazing well…, had a great lunch at “The Coffee Table” and he was
alert with full memory correcting us on our history and although speaking
slowly was participating in the conversation. Well on his way to full
recovery! He spoke with Joey Cain on the phone and will be on the planning
committee for the 100 Year Celebration for Harry Hay in San Francisco and
New York City. It was a joy to be with him!
Many
of you gave support for Stuart's recovery, so we wanted to let you know
that it was money well spent. Stuart Timmons is a walking library of
GLBT history and of Harry Hay and John Burnside in particular. We need
him and we need his genius.
Pictured
in the photo are: (left to right) Mark Thompson, Stuart Timmons, Robert
Croonquist and HRH Lee Mentley.
Lawrence
Brose is an experimental film artist and has created over thirty films since
1983. His films have been shown at international film festivals, museums, art
galleries, and cinematheques in the United States, Europe, Asia, Australia and
South America. Brose’s most recent film, De Profundis has been greeted with
critical acclaim and has been screened at more than eighty venues and festivals
worldwide since its release. De Profundis is a 65-minute experimental film
based on Oscar Wilde’s prison letter with an original score for the film by the
American composer Frederic Rzewski. In 1989 he began a series of film
collaborations with contemporary composers to explore the relationship between
the moving image and music.
The Issues
The issues here are fundamental: freedom of speech, freedom of
expression, and artistic freedom. The case is precedent-setting, and
will help determine whether anyone exercising their right to free speech
can be criminalized merely for their ideas—a fundamental violation of
the United States Constitution.
The case of Lawrence Brose is a prime example of the contemporary
abuse of power by Homeland Security and the Justice Department. The
charges brought against Brose essentially make engaging a difficult
issue a criminal offense and recall the government’s tactics during the
McCarthy trials of the 1950s. Like that infamous challenge to
Democracy, this case questions how far the government can reach,
unopposed, into artists’ studios, galleries, museums, and even our homes
to silence free speech, thought, and inquiry.
Case For Support
Lawrence Brose is not a criminal, he is an artist, doing what artists
do best: asking difficult questions about our life and times in order
to illuminate a new perspective as we struggle to move forward as a
culture. His experimental cinema has a distinguished track record of
engaging issues that affect the gay community, such as AIDS and
hostility from certain segments of the public. Facing problematical
subjects is precisely the job that people like Brose carry out in our
society – they explore unexamined dilemmas and present them for our
contemplation. It is truly tragic to see him attacked with the blunt,
and misguided legalistic weapon of pornography prosecution.
Lawrence Brose is working in a well-established tradition of image
appropriation, drawing specifically on images of masculinity in home
movies, old films, Gay erotica and documentaries. Brose collects found
still images, which he then processes and re-processes to find more
depth in the picture, producing complex layers of imagery that are
highly conceptual and offer a poignant commentary on normative
conventions of gender and sexuality. The final product is as abstract as
the paintings of Willem de Kooning, and a seizure of source material
entirely misrepresents the final outcome.
As experimental filmmakers Kenneth Anger and Andy Warhol before him,
Brose’s work pushes the envelope to create space for new expression.
For our society to remain open and vibrant, the answer is not to
criminalize that space for investigation, but rather to welcome it into
the marketplace of free ideas for examination.
The case against Lawrence Brose demonstrates an inappropriate
application of laws intended to protect children, and in the process
victimizes an experimental artist seeking to comment on societal woes.
The fact that he is under indictment for using images made by others to
examine the taboos that the laws are meant to prevent–is as
overreaching as it is troubling. It is so far from the intent of the
law, that it serves only to create a climate of fear. The result is
censorship and a chilling effect on the free expression of all artists
and all people. Censorship of this nature, and in all of its many forms,
occupies a realm of self-righteous presumption that abjures complexity
and results only in contradiction. It is very important that as
individuals living in a democratic society, we contribute to and speak
out openly in Brose’s defense, in essence defending our own lives and
our fundamental rights to think, work, and create freely.
This is the first time a case of this nature will be taken to trial.
It is important to note that Brose was not searching for the alleged
images nor is he accused of producing, distributing, buying or selling
pornography. This suit will be a protracted and expensive ordeal; one
that will have a profound impact on all artists. Your support is
greatly needed and much appreciated.
This website has been published by friends, colleagues and supporters
of Lawrence Brose, an artist and arts curator who has recently been
alleged to possess purportedly illicit digital images. One hundred of
the listed images are film frames from his highly acclaimed film De
Profundis, based on Oscar Wilde's prison writing. The purpose of the
website is to attest to Lawrence’s innocence, to provide a forum for
testimony on his behalf, and, importantly, to collect funds needed for
his legal defense.
We are in the process of collecting testimony from individuals, many
of whom are artists, academics and curators significant to the fields of
art and culture.
The Lawrence Brose Legal Defense Fund is a Class A Non-Profit
Corporation registered with the State of New York. Donations are not
tax deductible. To donate please send a check payable to "Lawrence Brose
Legal Defense Fund" and mail your check to PO BOX 501, Callicoon, NY
12723. Please see the Donate Now page for additional information. Or make a donation using Paypal.
The
Argentine Republic’s legalization of same-sex marriage July 15 came as
a complete surprise to those of us who think of Argentina as the land of
machismo, meat-eaters – Argentines are the world's biggest carnivores,
consuming
70 kilos (154 lbs.) of beef per person – and military coups. According
to
“Completely Queer: The Gay and Lesbian Encyclopedia” (1998),
“Argentinians
endured some of the most brutal campaigns of official and unofficial
persecution
of lesbians and gay men anywhere in the 20th century.” After the
military
coup of March 24, 1976, “some 400 gay men were ‘disappeared’ – kidnapped,
barbarically tortured, and executed . . . Encouraged by Roman Catholic
church
leaders, the dictatorship raided and closed gay bars, arresting as many
as 1,400
men in a particularly brutal 1978 campaign that took place on the eve of
the
World Cup soccer tournament in Buenos Aires. In 1982 and 1983, the last
two years of the dictatorship, paramilitary groups assassinated a number
of gay
men working in the arts. . . .” But with the re-establishment of
democracy in the 1990s, “Buenos Aires emerged . . . as the gay capital
of South
America, with vocal rights organizations and a lively gay and lesbian
media
presence.”
Argentina’s stormy past and promising present makes it uniquely
qualified
to lead Latin America in the field of LGBT rights and equality. Civil
unions are already recognized in Buenos Aires (2002), the Province of
Rio Negro
(2003) and the cities of Villa Carlos Paz (2007) and Rio Cuarto (2009). On
November 12, 2009 a Buenos Aires court approved the marriage of Alex
Freyre and
José Maria Bello. (Though the Buenos Aires government blocked the
wedding,
the two men were married on December 28 in Ushuaia, in Tierra del
Fuego.)
In late 2009 the Argentine Congress took up a bill to change Article 172
of the
Civil Code to legalize same-sex marriage. The Chamber of Deputies
approved
the measure on May 5 and the Senate on July 15. President Cristina
Fernández de Kirchner, a friend of the LGBT community, ratified the
measure,
which took effect a few days later.
"From today onward, Argentina is a more just and democratic
country," said
Maria Rachid, president of the Argentine Lesbian, Gay, Bisexual and
Transgender
Federation. The law "not only recognizes the rights of our families, but
also
the possibility of having access to health care, to leave a pension, to
leave
our assets to the people with whom we have shared many years of life,
including
our children," she said.
It was a hard-earned victory, and Argentina’s LGBT community is
right to
celebrate it. But it would be a mistake to think that Argentina has
become
a queer paradise. For one thing, machismo is still rampant in that
country. Diego Maradona (left), Argentina’s soccer god, reacted the way many
Argentinian men would when a reporter at the World Cup – where Maradona
coached
the Argentinian Team – seemed to question Maradona’s fondness for his
players. “No, I have not gone limp wristed," Maradona protested,
vehemently. “But I like to acknowledge and congratulate my players when
they play as well as they did today. That was a pleasing result and
display. It
was a job well done. I still prefer women. I am dating Veronica, who is
blond
and 31 years old." Though Maradona never misses an opportunity to
remind
us he’s a jerk, his eyebrow-raising reaction to a reporter’s innocent
question
indicates that not everything is peachy-keen down Argentine way.
Nor is Argentina’s legalization of same-sex marriage approved
throughout
the land. What goes well in Buenos Aires might not go well in the
countryside, where folks are more religious, macho, and carnivorous. The
same-sex marriage bill was hotly opposed by the Roman Catholic, Mormon
and
evangelical churches, which organized a 60,000-person march on Congress
to
protest the measure. The Cardinal Archbishop of Buenos Aires, Jorge
Mario
Bergoglio, led the fight against same-sex marriage, saying that
"children need
to have the right to be raised and educated by a father and a
mother." Another opponent, Senator Juan Perez Alsina, called
marriage between a man and a woman "essential for the preservation of
the
species." Opponents tried to derail the measure by proposing a weak
civil
unions law as an alternative to “gay marriage,” but they were blocked by
astute
parliamentary maneuvers. “I'm proud that we never tried for civil
unions,
always for complete equality," said Esteban Paulon, the LGBT
Federation's
general secretary.
The legalization of same-sex marriage in Argentina, makes it the
tenth
country in the world to legalize “gay marriage.” (The others are
Belgium,
Canada, Iceland, the Netherlands, Norway, Portugal, South Africa, Spain
and
Sweden). It also puts to shame the United States, where the Defense
Of Marriage Act is on the books and a majority of states have
constitutional
amendments barring same-sex marriage. “Today's historic vote shows how
far
Catholic Argentina has come, from dictatorship to true democratic
values, and
how far the freedom-to-marry movement has come, as 12 countries on four
continents now embrace marriage equality," said Evan Wolfson, Executive
Director
of Freedom to Marry. “America should lead, not lag, when it comes to
treating everyone equally under the law." Perhaps it helps that
Argentina’s religious lobby is not as powerful as the one in the States,
or that
opposition to same-sex marriage is not a cornerstone of one of its major
political parties, as it is with the Republican Party in the U.S. Here
we
have a long way to go before we catch up to the “carnivores” of the
Argentine
Republic.
Jesse Monteagudo (jessemonteagudo@aol.com)
is a
South-Florida based freelance writer. Jesse thanks Daniel Curzon, author
of the
1978 gay novel “Among the Carnivores,” for inspiring the title of this
article.
In the fascinating book, Marsh interrogates the
assumptions and prejudices that have combined to disparage the sincerity of
Isherwood’s spiritual life. He delves into those features of Vedanta philosophy
that enabled Isherwood to integrate the various aspects of his dharma:
his vocation as a writer, and a spirituality not based on a repudiation of his
sexuality as a gay man.
Marsh interviewed Isherwood’s life partner, Don
Bachardy (who produced the portrait of Isherwood used on the cover at the right) in the Winter 2006-2007 issue of White Crane.
Tony-winning playwright-director Arthur Laurents' (left in picture) and late partner Tom
Hatcher’s (right in picture) foundation has established an annual $150,000 prize. The
Laurents/Hatcher Foundation Award will be given for an unproduced, full-length
play of social relevance by an emerging American playwright.
The prize includes a $50,000 cash award for the selected playwright and a
$100,000 grant for production costs of the play's premiere at a nonprofit
theater.
The foundation said Thursday it's the first major award for playwrighting to
be named in honor of a gay couple. The 92-year-old Laurents wrote the books for
"Gypsy" and "West Side Story." Hatcher was Laurents'
partner of 52 years. He was an actor and real estate developer and died in
2006. Submissions from invited applicants will be accepted June 15 to September
15th 2010. The first award recipient will be notified March 15, 2011.
Building Connections & Community for Gay Men since 1989
![Malcolm_Boyd-Social_Vagrant[1]](/wp-content/uploads/2010/08/6a00d8345161a069e2013485f202d6970c-300wi.jpg)
