Category Archives: Community

The Cockettes Are Coming! The Cockettes Are Coming!

Oh no they’re not…they’re just breathing hard!

Greeksgeerdes2 A COCKETTE SYMPOSIUM

Thursday, June 5. 7:30 – 9 p.m.
LGBT Center, 208 West 13th Street, Kaplan Assembly, First Floor
Admission: FREE, no reservations required.

Join the largest New York gathering of Cockettes since their theatrical catastrophe at the Anderson Theater in 1971. In 1968 this psychedelic-fueled gender bending troupe of men, women, children, Gay, straight and in-between became legendary for their performances at San Francisco’s Palace Theater. At the cultural forefront of Gay Liberation, these bearded hippie drag queens showed generations to come the creative potential within us all. Moderated by Steven Watson, chronicler of the American avant-garde and author of Factory Made, The Beat Generation and The Harlem Renaissance, and hosted by John Waters’ superstar Mink Stole and HRH Lee Mentley of the Hula Palace, the evening promises to be historic. Cockettes scheduled to appear include Scrumbly, Sweet Pam, Rumi, Fayette, Harlow, Jet, Tahara, Sebastian, Toots Taraval, Jim Campbell and Dolores DeLuce.

Contact: Robert Croonquist at rcroon@nyc.rr.com

ADDITIONAL INFORMATION

A Cockette Symposium is one of a series of events in New York the first week in June will bring a dozen of the original Cockettes together on the East Coast for the first time since 1971 to mark the donation of the Martin Worman Cockettes / Gay Theater Archives to the New York Public Library for the Performing Arts, Billy Rose Theater Division at Lincoln Center.

The other events include:

The Northeast Radical Faeries and the Sisters of Perpetual Indulgence Present

THE COCKETTES ARE COMING:

AN EXTRAVAGANZA TO BENEFIT FAERIE CAMP DESTINY

Monday, June 2. Bazaar, Refreshments and Films from 6:30 to 8 p.m. Performances at 8 p.m.
At Theater for the New City, 155 First Avenue at 10th Street.
Admission, $30. Bake Sale and Bar, Faerie Wares and Services—Priceless

For tickets go to: http://www.faeriecampdestiny.org
For further info contact: Jeff Huyett, NYDayZee@aol.com , 646 263 9137

Rumi Missabu of the Cockettes & the Camaraderie Art Salon present:

A COCKTAIL OF GLAMOR AND ANARCHY

Wednesday, June 4. 8 p.m. with a possible second show at 10 p.m.

At Monkeytown, 58 North 3rd Street between Wythe & Kent, Williamsburg, Brooklyn, Bedford subway stop.

Admission FREE with two drink minimum. Dinner reservations encouraged, 718 384-1369

Further info at: mailto:camaraderieartsalon@yahoo.com

The Cockettes

The Cockettes emerged from the communal movement in San Francisco in the late 1960’s. Founded by Hibiscus and other members of beat writer and publisher Irving Rosenthal’s Kaliflower commune, the Kitchen Sluts, as they were first known, would entertain as they delivered food and newsletters from Rosenthal’s Free Press to an intercommunal food network of over 300 households. Known for their outrageous bearded drag, sequins, glitter and camp, the queerly androgynous troupe made street theater and performance history on the stage of the Palace Theater at the Nocturnal Dream Shows, midnight showings of camp film classics. Word of their shows spread by word of mouth and through San Francisco Chronicle columnist Herb Caen. The Cockettes were officially discovered by Rex Reed, Truman Capote and Joanna Carson and were whisked off to New York where they were feted by Vogue editor Diana Vreeland and held court at Max’s Kansas City. Their cockeyed optimism was welcomed by many but at odds with the irony and cool of New York during the Warhol era. Those who flocked to see their premiere at the Anderson Theater included Anthony Perkins, Allen Ginsberg and John Lennon. As Sylvia Miles said, “Everybody who was anybody was there.” And they were not amused; the evening was a catastrophe. Angela Lansbury is said to have risen from her seat midway through Act One and exclaimed, “Get me the fuck out of here,” and Gore Vidal quoted Arthur Laurents’ Gypsy, “Having no talent is not enough.” After the glitter settled, the Cockettes returned to San Francisco where they created their most successful shows. Cockettes who became famous in their own right include disco diva Sylvester, Café Society pianist Peter Mintun and Cockette guest star Divine.

The Martin Worman / Cockettes / Gay Theater Archives 

Martin Martin Worman was a playwright, director, actor and lyricist during the height of the Gay Liberation movement in the 1960’s through his death of AIDS in 1993. A Vietnam Era veteran from Paterson, New Jersey, Worman left Fort Dix for a life in the theater in San Francisco where he was a member of the legendary troupe known as the Cockettes. He wrote book and lyrics for several of their most renowned shows including Hot Greeks and Vice Palace which featured John Waters’ superstars Divine and Mink Stole. He was known as “The Cockette Who Can Read” because of his multiple academic degrees, a secret he carefully guarded from the street-based, anti-professional ethos of the time.

Worman continued his musical collaboration with Cockette Richard “Scrumbly” Koldewyn, writing musical revues and plays, most notably the 1972 musical Rickets: A Day in the Life of the Counterculture. Influenced by the theater of Bertolt Brecht, Worman viewed himself as a cultural worker and saw theater as a weapon in the struggle for Gay Liberation. In 1975 he co-founded the San Francisco-based Gay Men’s Theater Collective whose award-winning play Crimes Against Nature was brought to New York. There Worman assisted Robert Wilson and Jack O’Brien, directed Lola Pashalinski in her Obie winning performance of Steven Holt’s Cold, Lazy and Elaine and adapted Sherwood Anderson’s The Man Who Became a Woman for Steven Keats at Theater for the New City. At his death he was Associate Professor of Theater at Antioch College in Yellow Springs, Ohio, where he adapted Meridel LeSeuer’s Midwest populist writings to the theater. The 90 hours of interviews he conducted with Cockettes in 1987 during the height of the AIDS epidemic include a deathbed interview with disco diva Sylvester. His unfinished dissertation at NYU on the history of the Cockettes became the basis for David Weissman and Bill Weber’s acclaimed documentary The Cockettes.

Worman created extensive archives of his work in the theater, including 600 pages of Cockette interviews transcribed by his partner Robert Croonquist who safe-guarded the archives and is now donating them to the New York Public Library for the Performing Arts, Billy Rose Theater Division at Lincoln Center.

Uncommon Sense…

Aids_virus

Killer Gay Sex!

by Tony Valenzuela

The clueless tabloid and public health hysteria over man-on-man sex may be hindering HIV prevention efforts. From an imaginary "super strain" of HIV to the sci-fi MRSA superbug: What is it about Gay sex that makes U.S. health officials want to play Chicken Little with AIDS prevention and public safety?

In February 2005, a New York man with a multidrug-resistant strain of HIV and a crystal meth dependency became the source of the most reported AIDS story of the decade, but he had never, until now, spoken about his trying ordeal.  A slew of chilling claims was made about this man – that he carried a new, more virulent strain of HIV dubbed a "supervirus" that progressed from infection to AIDS in as little as two months; that his meth-induced promiscuity would instigate a deadly epidemic potentially undoing a quarter century of progress against HIV; that he signified what many in the Gay community had been dreading would occur, given that Gay men—stubbornly, recklessly—refused to give up their uniquely nefarious brand of promiscuity.  It is, then, no less remarkable that these allegations that gripped the world with renewed fears of Gay plague proved comprehensively false, yet the cycle of alarm that equates Gay men with disease—as seen once again this past January in San Francisco with a drug-resistant "Gay staph" scare—continues unabated to this day.  By the time the man with the "supervirus" disappeared from the headlines, those still paying attention would learn he did not have a never-before-seen strain of HIV nor did he set off a new epidemic.  Instead, he carried a very rare and difficult-to-treat multidrug-resistant virus that is today fully suppressed as he adheres to a complicated regimen of antiviral medications.

In Paris, the same year the "supervirus" story broke, the late Gay-rights pioneer and scholar Eric Rofes declared to an audience of international activists, "The pathologizing of Gay men’s communities and cultures and spaces is the most powerful challenge we face to promoting Gay men’s health."  Three years later, this man’s story lays bare how far too many who work and report on Gay health narrowly imagine the sex lives of Gay and bisexual men inside a realm of disease and dysfunction. 

This article continues at Poz.com

Gays In The Military

Gay_soldier20040421Lemme see if I have this…you’ll pardon the expression….straight:

Gay people in the military: Bad for unit cohesion.

Convicted felons…you know, manslaughter, sex crimes, that sort of thing: No problem.

The military and the Bush administration, lecturing us on morality: Priceless.

And…could someone explain to me why we’re so damn eager to join up and kill and contribute to a war of aggression?

Are we that desperate? And what is it, precisely, we’re trying to prove? And to whom?

The Millennial Memory…

I was going to defer this commentary until after Dan posted his commentary and addenda to the bowdlerized PBS Whitman hagiography which, while it was a nice attempt, proved once again how subtly Gay people and beautiful same sex love can be written out of history…no sin but omission. But I can’t wait…and since we offered Father John McNeill’s views on things, I feel moved to share my own point of view of this…

The Pope is in America…and everyone is so worked up and excited.

Bush_and_pope Your first clue that this stinks is George Bush is receiving him at the White House. Church and State, once again, cozy at the highest levels. We live in an age of hypocrisy and perhaps the only way to be able to get out of bed in the morning is to at the very least, call it what it is.

I’m particularly taken with the media coverage of it all that, while reminding folks of the “controversy” — that is corporate media’s Mother’s Milk (ka-ching!) — it still manages to gloss over with what is bewilderingly called “balance” these days, with the moony-eyed musings of the “faithful” contrasted with the last seething furious gasps of the thousands of men and boys who have been molested, as though they have equal merit. And somehow they manage to leave out the part where this Pope, in his former job as head of what was the office of the Inquisition in another time, instructed those in charge…those responsible for protecting children (hello Texas!) …to play it out for time so the statutes of limitations would take effect. Bill Maher nails this one beautifully in his recent “Rules.”

But what I am reminded of as we watch the flash and the dash, the pomp and the circumstance, the gold and the satin, the grandeur and the theater of it all, of the Papacy paraded before us as though this was some moral model, is something I was told when I was, years ago, the Parish Council Chairman of Holy Trinity Parish on the Upper West Side of Manhattan.

One of my closest friends in those days was a Franciscan priest who was living at the parish (not diocesan, in other words). He shall remain nameless here, because he continues to be a priest…a Gay priest, I might add, who loved his cocktails a little too much…and if reports are true, now the Pastor of a parish in one of the bigger primary states. I loved Michael, and still do, even though I haven’t seen him in years, and I would never want to cause him any embarrassment. Michael was a good friend of the “Saint of 9/11” Mychal Judge, and is the reason I meet Father Judge many years ago.

Anyway…probably the most interesting idea Fr. Michael passed along to me was the idea of the “institutional memory” of the Roman Catholic Church. His point was this: the Church views time in a different way than the rest of the hoi polloi.

I was all ready for some mystical take on time and eternity and what-have-you. But no. WhatGalileo_facing_the_roman_inquisitio  he meant was the Church and its hierarchy view time in a “millennial view.” That was the term he used. A millennial view.  The very long millennial view. In other words: these things shall pass. A century from now, who will remember? Who will be around to remember? The Church will still be there, of course, but generations of regular folks come and go…and they die. They forget. All that is remembered after a while, say a generation…maybe two…ok, three… is the flash and the dash, the pomp and the circumstance, the gold and the satin, the grandeur and the theater of it all. So…a hundred years…a mere blink of an eye, if that, to an institution like the Catholic Church…200 years…what is 200 years to an institution that has been around in cozy bed with the powers of the world for 2000 years? The one thing this millennial view affords is priceless: people will forget. Who remembers the Inquisition? Who, nowadays, even cares? Who remembers what was done to American Indians in the name of Christianity?

Bushcardinallaw And who…a thousand years from now, will remember the hundreds of thousands of boys who were molested, abused? And how the Church worked not to wash it clean with the cleansing light of day, but to hide it away until the secular laws ran out the clock? How does an institution pull off something like an Inquisition and still maintain the illusion of moral probity? How does an institution pull off something like not only the on-going molestation and abuse of thousands of children, but covering it up and paying people off for years…

Sleepy…you’re getting sleepy. Don’t you worry your pretty little head about these matters.

Father will take care of it for you. Rest your head in his satin-covered lap as he bathes you in incense and architecture and unctuous oils and candles…the flash and the dash, the pomp and the circumstance, the gold and the satin, the grandeur and the theater of it all…

And soon you will forget…

On the Occasion of the Pope Coming to Town

Many interesting things come over our transom…this from the esteemed John J. McNeill, on the arrival of Joseph "God’s Rottweiller" Ratzinger (wasn’t this guy on Cheers?) on our shores (traveling under his nom de power "Pope Benedict XVI"):

Toward a Theology of Fallibility

Ratzinger_2When Pope Benedict comes to Ground Zero in New York City he will be greeted byMychaljudgepieta_2 a giant banner with a painting of Michael Judge, the Gay Franciscan priest, whose life is recorded in the documentary, Saint of 9/11. That banner signifies the ambiguous state of many Gay, Lesbian, bisexual and transgendered Catholics toward the Pope. We share the respect and love of the Catholic community for the Vicar of Christ and wish him well. At the same time we are profoundly aware of how wrong he is in his understanding and judgment on Gayness as “intrinsic disorder”. We are deeply conscious that we cannot accept and live out his teaching on homosexuality without destroying our mental and spiritual health. What is bad psychology has to be bad theology. We find ourselves in the same position as children of a homophobic parent, who, while still loving their parent, must separate off and take distance from that parent’s homophobia, if they are to live happy and healthy lives.

We Roman Catholic Gays have found it necessary to undergo the same maturing process in our spiritual lives that Jesus asked his disciples to undergo at the last supper. “I shall ask the Father and he will send you another Paraclete to be with you forever, the Spirit of truth.” (John 14: 16-17) Jesus stressed the point that it was necessary that he should go away in order for the Spirit to come. “Yet you are sad at heart because I have told you this. Still, I am telling you the truth; it is for your own good that I am going, because unless I go, the Advocate will not come to you; but if I go. I will send him to you….However, when the Spirit of truth comes, he will lead you to the complete truth.” (John 16: 6-13)

Why could the Spirit of Truth only come after Jesus’ death? Because as long as Jesus remained alive and present, his disciples had their center of authority outside themselves and were not totally responsible for their actions. They were striving to meet the expectations of a provident leader. They had not yet become fully creative and responsible adults. But after Jesus’ death, his Spirit became what Paul saw as the source of the “Glorious Freedom of the Children of God”. “The proof that you are sons and daughters is that God has sent the Spirit of his Son into our hearts: the Spirit that cries, ‘Abba’, Father; and it is this that makes you a son or daughter, you are not a slave anymore’. Pagans were not free but slaves in relation to their gods because they related to their gods in a spirit of fear. John tells us “Perfect love cast out all fear. It is equally true that perfect fear casts out all love.” Christians are free because their God is a God of love who had adopted them into his family. “All who are guided by the Spirit of God are sons or daughters of God, for what you have received was not the spirit of slavery, to bring you back into fear, you have received the Spirit of adoption, enabling us to cry out Abba, Father.” (Rom. 8:14-17)

With the death of Jesus and the coming of the Holy Spirit, the apostles received a challenge as well as an opportunity to mature. As Paul expressed it, “…until we all reach unity in faith and knowledge of the Son of God and form the perfect human, fully mature with the fullness of Christ himself.” (Eph. 4:13). The apostles had to give up the security of a provident leader; they had to begin to find out what God wanted from them from within themselves and their own experience.

In like manner, in our spiritual life, we Roman Catholic Gay people must pass from a passive, dependent role to an active, creative one. For our survival we have a special need to become mature, self-motivated, autonomous people, no longer dependent on outside homophobic sources for a sense of our identity and well-being. We must not let our enemies outside ourselves define us; we must let the Spirit of love that dwells within our hearts define us. As the Catholic philosopher Maurice Blondel expressed it: “Our God dwells within us and the only way we can become one with that God is to become one with our authentic self”.

It is this understanding of the role of the indwelling Holy Spirit that gives me great consolation during these times when the Catholic Church reacts to its Gay members in ignorance and even downright hostility. We Gays should be grateful to God for creating a humanly fallible Church. We are intensely aware that if our parents had been infallible we could never have matured and become autonomous and responsible adults. God blessed us with finite and fallible parents. It was precisely when and where our parents proved fallible that we were challenged to take distance from their authority, make our own choices and be fully responsible for them.

In a similar way, as Gay Roman Catholics we are dependent on the human fallibility of religious authorities in order to develop an adult freedom of conscience. I believe that we are witnessing the coming into being of what I call the Church of the Indwelling of the Holy Spirit. After forty years of ministry with Lesbian and Gay persons, as both priest and psychotherapist, I am convinced that a unique spirituality, special and vibrant, is springing up in the Christian Gay community. It is spirituality totally compatible with a life of Gay sexual love and intimacy. As scripture says “the stone which the builders rejected has become the cornerstone. (Mark 12:18) Gays are leading the way to form a spiritual community based on the indwelling of the Holy Spirit. The Spirit’s special presence in the Gay Christian community and the unique graces which are enabling Lesbians and Gays to build a mature, autonomous spiritual life are not just gifts meant for the Gay Christian community alone. When God pours out special blessings on one segment of the community, those blessings are meant to flow out and be shared by the human community at large.

Brendan_faye The Church of the Holy Spirit will be a Church in which all are equal, no hierarchy, no clergy as a separate caste, no domination of men over women. Leadership in the Church of the Holy Spirit will be based on careful listening to what the Holy Spirit is saying through the people of God. A recent event makes me believe that God is working overtime to bring about the transformation of the Catholic Church into the Church of the Holy Spirit. President Lech Kaczynski of Poland in a March 17 televised speech to the nation, echoing the Vatican position, warned that the adoption of the European Lisbon Treaty would compel Poland to recognize same-sex marriages, which he linked to the end of “moral order”. To make his point the president used footage of the 2003 wedding of Brendan Fay and Tom Moulton in Canada. As a result of that speech a media frenzy moved Brendan and Tom out of obscurity and they became world famous. Brendan and Tom are devout Gay Roman Catholics who see their marriage as a sacred bond blessed by God. The Holy Spirit is ultimately in charge of the Church and will transform it so that it becomes one with the realm of God. We who are Gay and Catholic pray daily that the hierarchy will hear what the Spirit is saying through the people of God and cooperate with the Spirit’s transformation of the Church.

John J. McNeill John J. McNeill, author of The Church and The Homosexual, Taking A Chance on God, Freedom, Glorious Freedom, and Both Feet Planted Firmly in Midair. The Reverend McNeill can be reached at jjmcneill@aol.com

We’ve got your American Idol RIGHT HERE!

FULL-TIME PERFORMANCE OPPORTUNITY WITH THE KINSEY SICKS!

What could be more thrilling? More life-changing? More fun? More nauseating?

THE JOB:

Sicks The Kinsey Sicks, America’s Favorite Dragapella Beautyshop Quartet, is seeking a serious and skilled performer for a long-term full-time commitment as an actively performing swing. We are looking for:

* Substantial stage experience
* Strong musicianship
* Great talent in comedy and comedic improvisation
* Comfort with drag performance
* Ability to portray a comic character in an ensemble context
* Ability to learn complicated 4-part vocal arrangements in limited time
* Willingness to travel, perform live, and potentially appear on screen
* Willingness to chip in on some of the less glamorous aspects of travel and performance (including stage/dressing room set-up, meeting/greeting audiences, selling merchandise after shows)
* Decent business skills, progressive politics, good communication and the ability to work in a team.

A cappella experience is a plus but not required. Being part of the Kinsey Sicks is incredibly fun. You should be too. We want you to be as excited about what we do as we are. This position is open until filled.

TO APPLY:

Send a resume to info@kinseysicks.com, along with a headshot or recent photo, plus any materials you think would help us see your skills.

AUDITIONS:Sickskinsey

The Kinsey Sicks will be touring throughout the spring and early summer, and we will audition qualified applicants as we tour. Let us know if you can make it to any of the following places:

April 10: Cleveland, OH
April 11-12: Providence, RI
April 13-14: Lincoln, NE
April 16-18: Hamilton, NY
April 23: Richmond, KY
May 11-15: Las Vegas, NE
May 17: New Hope, PA
June 6: Dallas, TX
June 7: Salt Lake City, UT
June 14: Spokane, WA
July 11: San Francisco
July 12: Seattle

Please circulate this email among your friends who perform, or who sing in choruses, or who otherwise are exceptional talents who might fit well with the Kinsey Sicks.

WHO WE ARE:

For over 14 years, the Kinsey Sicks, America’s Favorite Dragapella Beautyshop Quartet, has served up a feast of music and comedy to audiences across the US and abroad. Combining award-winning a cappella singing, sharp satire and over-the-top drag, the Kinsey Sicks tours full time, having performed in 37 states as well as Mexico, Canada and Europe. The Kinsey Sicks have had their own Off-Broadway run at New York’s legendary Studio 54 as well as an extended run in Las Vegas. They have released five CDs and are the subjects of two feature films: "I Wanna Be a Republican," released in 2006, and "Almost Infamous," slated for release in 2008. For more information, visit www.kinseysicks.

What kind of Gay man are you…?

Because we publish both this blog and the "hard copy" magazine, White Crane, we get on a lot of press lists for various publicists in the entertainment, publishing, recording and fashion business. The sheer stereotypical nature of the kinds of press releases we receive is stunning, really. The only metric that seems to make any difference whatsoever to whoever is sending out the press releases is that they see the word "gay" somewhere in the search, and their feeble little minds automatically assume "fashion" "sex" "consumers" "vacuous dance music" and the most superficial kind of idea of "beauty" imaginable. In fact, using any variation of the term "imagination" in the same sentence is a stretch. Actually having looked at a copy of the magazine, or exploring our website to determine something of what our interests might be seems to be too much to ask.

Fellow_travelers_book_coverThis morning was a perfect example of the stark dichotomy of choices with which we are presented virtually every day. In yesterday’s mail we received the first run of Mark Thompson’s newest book, a beautiful book of his own photography. More on this in a moment.

[Full disclosure: White Crane Institute helped with the production of this book, and we have been sponsoring a touring exhibit of some of the photography in the book, providing it to LGBT communities around the country.]

We were also in receipt of a press release…the second one, now…about some pretty boy cranking out monotonous "dance music" (I love to dance, but what passes for ‘dance music’ these days is, quite simply pathetic.) Shirt open to his six pack, sexuality ambiguously alluded (I’m not big on "sexual allusion" myself…Rosie O’Donnell "alluded" to Tom Cruise for years…and that’s just too weird for words).

Anyway, silly me, I decided to give it a listen, since the publicist (a little more full disclosure here…yours truly was a publicist in the music industry, and a band manager at one point, no less…so I have a soft spot in my heart — not my head, though — for music publicists, and artist trying to break into the biz) had gone to the trouble to send a MP3 file.

The lyrics say it all: Hey…you remember when / I read your mind? / Thoughts of you run through my George  head / and make me want to touch myself / The odds are so right / I know you know I’m the special one…Let’s make love like / we’re strangers…

Like strangers. Wow. Great. With HIV/AIDS making a comeback like it’s a viral Taliban, I hope they use a condom. What a great musical message to put out to young Gay men…a population that is seeing a significant uptick in sero-conversion, we should note. What really burns my admittedly senior citizen ass is the marketing of this cookie-cutter pretty boy, all pumped and smooth like every other cookie-cutter pretty boy, draped in female flesh (used like skin props) and expecting that just because this fellow is (debatably) a) young and b) attractive, that every red-blooded Gay man is going to run right out and buy his drivel music because he has digital abs. Let’s be clear here: his voice is unremarkable. The music is indistinguishable from any other cut on just about any other current "dance music" disc. There is nothing about this–and I use the term very loosely here–"singer" that recommends him other than his shaved body. If you like that sort of thing.

Look at the photos accompanying this post…one is the cover of Mark’s book, Fellow Travelers: Guides & Tribes [Fluxion Editions, 2008] and "the Stranger" with the models who are so weak from hunger they have to lean on him for support. Tell me…which huddle would you want to be in? You want to "make love like we’re strangers," like this bimbo (I really think "bimbo" ought to be the male version and "bimba" the female) suggests? So OK…maybe you don’t want to get all muddy…but those are definitely not "strangers" in that picture. You might actually connect with someone…your own self, for instance… your own history as a queer, like Mark Thompson is documenting in his beautiful book Fellow Travelers?

I hesitated to even talk about the singer, who shall remain anonymous here. Why give shallow exploitative product placement any kind of publicity at all? But the contrast between this dreck, and Mark Thompson’s new book was so dramatic to me, I thought they ought to be thrown into contrast. Mark’s Fellow Travelers book is available in limited edition at http://www.markthompsongayspirit.com/

The empty nutrition of the mess of potage with the six-pack is available…anywhere. In a word: feh.