


Year end always seems to be the time to reflect and remember and I have been doing a little of that myself, lately. The subject that commands my attention the most, once I've drawn my jaw-gaping attention from the parade of bad economic news and stories of self-centered, over-consuming greed, is "the media" and the very real economic problems that face all media, us included, as the internet (which we obviously use to some advantage ourselves) and the concommitant loss of revenue this means for print media in particular and older media in general.
Most mornings I sit with my coffee and my New York Times and scan the pages, usually starting with the obits…the Irish Sports Pages, as my grandmother would call them…the headlines, letters to the editor, the business section, the show biz stories, and finally, folding my C-section — the location of the holy, the beloved crossword puzzle that I have worked every day for the past 32+ years — into the now reduced (since the Times has cut the size of their pages) quarterfold.
Early in the week I knock that off even before I go off to work; from Thursday on, I carry it with me through the day as my companion for the down moment, the inbetween transit from place-to-place, lest I be caught with nothing to do but stare into space. It is finished, of course, every day. Always in pen, and with specifically prescribed lettering…capital letters only. And no…I don't want any help, thank you very much. The crossword is my own personal pleasure. It is a meditation and I do that alone. I am often told, when I complain that a New York Times is unavailable to me as I travel, that the puzzle…my puzzle…is available on line and I just have to give the benighted person a smile and, controlling my urge to laugh in their face, simply explain that, "No, it's just not the same."
Now, we are told, people get their news here…on line…and are no longer going to print media as much, causing many of the old gray newspapers, in many a city to not just fold into quarters, but fold altogether and disappear. Worse, the newspapers that tend to remain are "NewsLite McPapers" with graphs and four color illustrations (you know who you are!) that take give predigested, reader's digest compendiums of "news" that, rather than connecting the reader with his community, tending to put it all at a sanitized distance when it isn't using "news" to scare us all into stupor or submission.
This is a serious problem I think…and I don't care if I am showing my age by saying so. I can't imagine my world without that moment of solitude with newsprint in the morning, the cat stalking me behind the curtain of paper, attacking the corners of the section I'm reading and demanding attention.
Of course, I am also a publisher of a magazine and, again, people often ask me, when I explain how the costs of publishing have continued to climb, making the production of White Crane more and more costly to produce…they ask me "have you ever considered just doing it on line?"…and of course, we do publish a portion of every issue on line. And, again, controlling my urge to laugh in their face, I patiently explain.."No. It's just not the same."
If there is anyway that we will be able to continue to produce the "hard copy" as it is now referred to, I swear we will. In my heart, to say nothing of my head, there is something critically important about the creation of an actual document, something tangible that you hold in your hands…something that university and municipal libraries collect and bind into leather bindings. Especially for Gay material…and by Gay material, with all due respect for populism, I do not mean OUT magazine, or The Advocate…but I do mean publications like our own and the Gay & Lesbian Review … as examples.
I'm not saying there isn't a place for popular entertainment. I like and need my fluff as much as the next person (though I really don't care what Paris Hilton is up to…ever.) But beyond that, and somewhere in between that and the fussy papers of academia, there has to be a place for the writings of a community that is still trying to come to terms with itself. And do so in some way other than simply trying to "fit in," assimilate and not cause waves. When I came out 35 years ago, the only place I could find any reference to myself was in the dictionary, under "homosexual"…and a sorry definition it was, too. It is important that some young person, going to their bookstore, or a library find something other than that…see themselves in print and be able to hold onto it for a moment…for as long as they need to hold on to it.
I know the same wringing of hands went on when television came along…and probably when radio arrived…about the loss of something valuable in the glare of something new. Television was going to kill radio. And didn't. The internet is going to kill newspapers. And it won't. Radio still manages to remain relevant and though even I have bought a Kindle (I carried 47 books on the plane with me this past weekend…could have carried more than 2000 if I wanted…no bookshelves to dust, either)…nevertheless I will always buy hardcover books. I might become more selective about what I buy and what I want to care for and store. But I will still buy them.
And so it is with the newspaper and magazine. You will never catch me doing my NY Times crossword on my Kindle…even though it is available on it, every day, for less than I pay to have it delivered to my front door (in the blue plastic bag that is immediately recycled into dog poop duty!…what would I do with out that!?) It just isn't the same thing. My fingers will always be stained with the ink of the C-section, and there will always be a pen in my pocket to do the puzzle.
And we will always publish White Crane if I have anything to say about it. And you will be able to hold it in your hands, and save it on a shelf, and take it down and reread it and share it with your friends and family and community.
As we enter our twentieth year of publishing…we promise you that.
We're pleased to find out that the esteemed Richard Labonte has named our latest book (on the left there) as one of the Top Ten Nonfiction Books of 2008.
Here is what Richard had to say:
A Prophet in His Own Land: A Malcolm Boyd Reader, Selected Writings 1950-2007, edited by Bo Young and Dan Vera (White Crane Books/Lethe Press, $30)
"Over the years, Boyd has written or edited more than 30 books, from which the editors have carefully culled the prose and the prayers comprising this rich reader of a gay elder's always-questioning, never-faltering activist faith—selections spanning more than 50 years that distill Boyd's wisdom wonderfully."
I mean…it's special enough to have had the pleasure of working with Malcolm Boyd…but then we get to be acknowledged. That's the kind of thing that makes you want to get up in the morning and go to work!
And we're in excellent company…here are the other books on Richard Labonte's list:
My Miserable, Lonely, Lesbian Pregnancy, by Andrea Askowitz (Cleis Press, $14.95) In this memoir about "40 weeks and five days in hell," Askowitz milks self-professed misery over her pregnancy for captivating comic effect. The ordeals of becoming a single mother—finding sperm, inserting it, week after dateless week—are chronicled in a diary that's winsomely whiny and harrowingly honest.
Crisis: 40 Stories Revealing the Personal, Social, and Religious Pain and Trauma of Growing Up Gay in America, edited by Mitchell Gold with Mindy Drucker (Greenleaf Press, $23.95) These personal accounts of rejection by parents, renunciation by churches, and ridicule from and physical attacks by peers link generations and genders through their depiction of the heroism of survival. In a perfect world, every school library would have a copy.
Intersex (for Lack of a Better Word), by Thea Hillman (Manic D Press, $14.95) Hillman's sprightly essays add an intersex's story—please don't call us hermaphrodites, pleads the author—to the queer literary spectrum. The author writes about a muddled medical childhood, her emergence as an intersex activist, and the women (and men) in her life, neatly blending the political and the sensual.
The Memoirs of a Beautiful Boy, by Robert Leleux (St. Martin's $23.95) Debut memoirist Leleux bests both David Sedaris and Augusten Burroughs as a raconteur of wacky family tales with this rollicking story of growing up queer in East Texas. The author confesses to taking some license with veracity, but depictions of his gold-digging mother's fashion and surgical excesses, and of how he found himself falling in love with a Cajun choreographer, resound with wickedly sincere truths.
About My Life and the Kept Woman, by John Rechy (Grove Press, $24) Rechy writes with eloquent elegance about growing up Mexican-American in El Paso, where "Juan" often passed as "Johnny" because of the light skin he inherited from his angry Scottish father; about the double life hiding his poverty from better-off friends; about shying away from his true sexuality while in the military during the Korean War; and, most compellingly, about how he became the street-wise, tough-guy hustler of City of Night.
Sex Talks to Girls: A Memoir, by Maureen Seaton (Terrace Books/University of Wisconsin Press, $26.95) As "Molly Meek," poet Seaton tracks her passage from religious orthodoxy to sobriety and sexual exuberance—a journey marked by drag kings, butches, all kinds of over-indulgence, and a couple of kids to care for along the way—with writing that is heroically revealing and often very funny.
King of Shadows, by Aaron Shurin (City Lights, $16.95) Shurin's brief essays reveal a multitude of selves: the young student diving with sensual pleasure into sexual San Francisco; the homemaker enthralled by how sunlight adds sheen to his natural pine floors; the "lovechild of Denise Levertov and Robert Duncan" dedicating his soul to the purity of poetry. Resonant fragments coalesce into a vibrant mini-autobiography.
Sparkling Rain and Other Fiction from Japan of Women Who Love Women, edited by Barbara Summerhawk and Kimberly Hughes (New Victoria, $16.95) Two fascinating books are crammed—small type, narrow margins—into this groundbreaking anthology. The first: illuminating essays on the sexual, social, and literary culture of Japanese women. The second: revelatory short stories (plus poetry, manga, and a screenplay) about women loving women in an overwhelmingly patriarchal culture. Part fiction, part nonfiction—but the latter makes this one special.
The Dictionary of Homophobia: A Global History of Gay & Lesbian Experience, edited by Louis-Georges Tin (Arsenal Pulp Press, $44.95) More than 70 scholars contributed 160 mini-essays to this wide-ranging survey of where and how in the world homophobia continues to resonate. It's an invaluable eye-opener for North American-centric queer activists who believe that many battles have been won. Originally published in France in 2003, this ambitious translation from a small Canadian press is an honorable achievement.
I woke up this morning to hear the sad news of the death of a great woman, one of the single name wonders in the world, Odetta. I have no idea of Odetta's sexuality, but I know her, personally, from many years ago when we were fighting another anti-Gay initiative in California, the one in the new film about Harvey Milk, Prop. Six. One of the many ways we raised funds for that fight (including an art auction and a state-wide Hair-cut-athon) was a fantastic concert at the Hollywood Bowl. Peter Yarrow (of Peter, Paul & Mary) performed and so did Odetta.
I honestly don't remember what she sang that day. But it is impossible not to remember her voice, her incredible voice that was like a force of nature itself. I remember her devotion to civil rights.
I remember, even then, how her presence was a blessing on a campaign we were none too sure was going to go our way.
I remember, when she agreed to come, I offered my profuse thanks to which she responded "Where else would I be?"
Indeed. Once more, the LGBT community has lost a friend and ally.
Refuse to Hate from Refuse to Hate on Vimeo.
White Crane is proud to offer our warmest congratulations to White Crane James White Poetry Prize judge and University of Houston professor Mark Doty for his being named as the National Book Award poetry prize-winner for Fire to Fire: New and Selected Poems (HarperCollins).
Doty has taught in the University of Houston Creative Writing Program since 1999, but next spring he begins teaching at Rutgers University. Fire to Fire brings together new poems with selections from his previous seven collections, including My Alexandria (1993), which won the National Book Critics Circle Award. There is a wonderful interview with Mark here. And you can see his moving acceptance speech here.
Doty is our judge for the first James White Poetry Prize for White Crane. That winner will be announced in spring 2009.
Ladies and Gentlemen…the estimable Fannie Mae Paxton…
http://www.youtube.com/v/sA-451XMsuY