Category Archives: Books

Ink Stained Fingers

A dozen roses   78cover[1] 1 Year end always seems to be the time to reflect and remember and I have been doing a little of that myself, lately. The subject that commands my attention the most, once I've drawn my jaw-gaping attention from the parade of bad economic news and stories of self-centered, over-consuming greed, is "the media" and the very real economic problems that face all media, us included, as the internet (which we obviously use to some advantage ourselves) and the concommitant loss of revenue this means for print media in particular and older media in general.

Most mornings I sit with my coffee and my New York Times and scan the pages, usually starting with the obits…the Irish Sports Pages, as my grandmother would call them…the headlines, letters to the editor, the business section, the show biz stories, and finally, folding my C-section — the location of the holy, the beloved crossword puzzle that I have worked every day for the past 32+ years — into the  now reduced (since the Times has cut the size of their pages) quarterfold.

Early in the week I knock that off even before I go off to work; from Thursday on, I carry it with me through the day as my companion for the down moment, the inbetween transit from place-to-place, lest I be caught with nothing to do but stare into space. It is finished, of course, every day. Always in pen, and with specifically prescribed lettering…capital letters only. And no…I don't want any help, thank you very much. The crossword is my own personal pleasure. It is a meditation and I do that alone. I am often told, when I complain that a New York Times is unavailable to me as I travel, that the puzzle…my puzzle…is available on line and I just have to give the benighted person a smile and, controlling my urge to laugh in their face, simply explain that, "No, it's just not the same."

Now, we are told, people get their news here…on line…and are no longer going to print media as much, causing many of the old gray newspapers, in many a city to not just fold into quarters, but fold altogether NewYorkTimesand disappear. Worse, the newspapers that tend to remain are "NewsLite McPapers" with graphs and four color illustrations (you know who you are!) that take give predigested, reader's digest compendiums of "news" that, rather than connecting the reader with his community, tending to put it all at a sanitized distance when it isn't using "news" to scare us all into stupor or submission.

This is a serious problem I think…and I don't care if I am showing my age by saying so. I can't imagine my world without that moment of solitude with newsprint in the morning, the cat stalking me behind the curtain of paper, attacking the corners of the section I'm reading and demanding attention.

White Crane at the SFPL Of course, I am also a publisher of a magazine and, again, people often ask me, when I explain how the costs of publishing have continued to climb, making the production of White Crane more and more costly to produce…they ask me "have you ever considered just doing it on line?"…and of course, we do publish a portion of every issue on line. And, again, controlling my urge to laugh in their face, I patiently explain.."No. It's just not the same."

If there is anyway that we will be able to continue to produce the "hard copy" as it is now referred to, I swear we will. In my heart, to say nothing of my head, there is something critically important about the creation of an actual document, something tangible that you hold in your hands…something that university and municipal libraries collect and bind into leather bindings. Especially for Gay material…and by Gay material, with all due respect for populism, I do not mean OUT magazine, or The Advocate…but I do mean publications like our own and the Gay & Lesbian Review … as examples.

I'm not saying there isn't a place for popular entertainment. I like and need my fluff as much as the next person (though I really don't care what Paris Hilton is up to…ever.) But beyond that, and somewhere in between that and the fussy papers of academia, there has to be a place for the writings of a community that is still trying to come to terms with itself. And do so in some way other than simply trying to "fit in," assimilate and not cause waves. When I came out 35 years ago, the only place I could find any reference to myself was in the dictionary, under "homosexual"…and a sorry definition it was, too. It is important that some young person, going to their bookstore, or a library find something other than that…see themselves in print and be able to hold onto it for a moment…for as long as they need to hold on to it.

I know the same wringing of hands went on when television came along…and probably when radio arrived…about the loss of something valuable in the glare of something new. Television was going to kill radio. And didn't. The internet is going to kill newspapers. And it won't. Radio still manages to remain relevant and though even I have bought a Kindle (I carried 47 books on the plane with me this past weekend…could have carried more than 2000 if I wanted…no bookshelves to dust, either)…nevertheless I will always buy hardcover books. I might become more selective about what I buy and what I want to care for and store. But I will still buy them.

And so it is with the newspaper and magazine. You will never catch me doing my NY Times crossword on my Kindle…even though it is available on it, every day, for less than I pay to have it delivered to my front door (in the blue plastic bag that is immediately recycled into dog poop duty!…what would I do with out that!?) It just isn't the same thing. My fingers will always be stained with the ink of the C-section, and there will always be a pen in my pocket to do the puzzle.

And we will always publish White Crane if I have anything to say about it. And you will be able to hold it in your hands, and save it on a shelf, and take it down and reread it and share it with your friends and family and community.

As we enter our twentieth year of publishing…we promise you that.

A Prophet in His Own Land

Boyd-prophet-cover[1]   We're pleased to find out that the esteemed Richard Labonte has named our latest book (on the left there) as one of the Top Ten Nonfiction Books of 2008.

Here is what Richard had to say:

 A Prophet in His Own Land: A Malcolm Boyd Reader, Selected  Writings 1950-2007, edited by Bo Young and Dan Vera (White Crane Books/Lethe  Press, $30)

 "Over the years, Boyd has written or edited more than 30  books, from which the editors have carefully culled the prose and the  prayers comprising this rich reader of a gay elder's always-questioning, never-faltering activist faith—selections spanning more than 50 years that distill Boyd's wisdom wonderfully."

 

I mean…it's special enough to have had the pleasure of working with Malcolm Boyd…but then we get to be acknowledged. That's the kind of thing that makes you want to get up in the morning and go to work!

 

And we're in excellent company…here are the other books on Richard Labonte's list:

 

 My Miserable, Lonely, Lesbian Pregnancy, by Andrea  Askowitz (Cleis Press, $14.95) In this memoir about "40 weeks and five days in hell," Askowitz milks self-professed misery over her pregnancy for captivating comic effect. The ordeals of becoming a single mother—finding sperm, inserting it, week after dateless week—are chronicled in a diary that's winsomely whiny and harrowingly honest.

 

Crisis: 40 Stories Revealing the Personal, Social, and Religious Pain and Trauma of Growing Up Gay in America, edited by Mitchell Gold with Mindy Drucker (Greenleaf Press, $23.95) These personal accounts of rejection by parents, renunciation by churches, and ridicule from and physical attacks by peers link generations and genders through their depiction of the heroism of survival. In a perfect world, every school library would have a copy.

 

 Intersex (for Lack of a Better Word), by Thea Hillman (Manic D Press, $14.95) Hillman's sprightly essays add an intersex's story—please don't call us hermaphrodites, pleads the author—to the queer literary spectrum. The author writes about a muddled medical childhood, her emergence as  an intersex activist, and the women (and men) in her life, neatly blending the political and the sensual.

 

The Memoirs of a Beautiful Boy, by Robert Leleux (St. Martin's $23.95) Debut memoirist Leleux bests both David Sedaris and Augusten Burroughs as a raconteur of wacky family tales with this rollicking story of growing up queer in East Texas. The author confesses to taking some license with veracity, but depictions of his gold-digging mother's fashion and surgical excesses, and of how he found himself falling in love with a Cajun choreographer, resound with wickedly sincere truths.

 

About My Life and the Kept Woman, by John Rechy (Grove Press, $24) Rechy writes with eloquent elegance about growing up Mexican-American in El Paso, where "Juan" often passed as "Johnny" because of the light skin he inherited from his angry Scottish father; about the double life hiding his poverty from better-off friends; about shying away from his true sexuality while in the military during the Korean War; and, most compellingly, about how he became the street-wise, tough-guy hustler of City of Night.

 

Sex Talks to Girls: A Memoir, by Maureen Seaton (Terrace Books/University of Wisconsin Press, $26.95) As "Molly Meek," poet Seaton tracks her passage from religious orthodoxy to sobriety and sexual exuberance—a journey marked by drag kings, butches, all kinds of over-indulgence, and a couple of kids to care for along the way—with writing that is heroically revealing and  often very funny.

 

King of Shadows, by Aaron Shurin (City Lights, $16.95) Shurin's brief essays reveal a multitude of selves: the young student diving with sensual pleasure into sexual San Francisco; the homemaker enthralled by how sunlight adds sheen to his natural pine floors; the "lovechild of Denise Levertov and Robert Duncan" dedicating his soul to the purity of poetry. Resonant fragments coalesce into a vibrant mini-autobiography.

 

Sparkling Rain and Other Fiction from Japan of Women Who Love Women, edited by Barbara Summerhawk and Kimberly Hughes (New Victoria, $16.95) Two fascinating books are crammed—small type, narrow margins—into this groundbreaking anthology. The first: illuminating essays on the sexual, social, and literary culture of Japanese women. The second: revelatory short stories (plus poetry, manga, and a screenplay) about women loving women in an overwhelmingly patriarchal culture. Part fiction, part nonfiction—but the latter makes this one special.

 

The Dictionary of Homophobia: A Global History of Gay  & Lesbian  Experience, edited by Louis-Georges Tin (Arsenal Pulp  Press, $44.95) More than 70 scholars contributed 160 mini-essays to this wide-ranging survey of where and how in the world homophobia continues  to resonate. It's an invaluable eye-opener for North American-centric queer activists who believe that many battles have been won. Originally published in France in 2003, this ambitious translation from a small Canadian press is an honorable achievement.

The Prolific Perry Brass

 Perry Brass Books   White Crane friend and advisor, Perry Brass… will be showing, selling, and autographing some of his books at the 21st Annual Independent & Small Press Book Fair this coming weekend, Saturday, Dec. 6 and Sunday, December 7, from 12:30 pm until about 5:30 pm at the wonderful landmark General Society of Mechanics and Tradesmen Building @ 20 East 44th Street in Manhattan (it's on the same block as the Algonquin Hotel). The General Society is the home of the New York Center for Independent Publishing, sponsors of the Fair, and Perry will be showing at a table on the mezzanine.

National Book Award

Doty and dog

White Crane is proud to offer our warmest congratulations to White Crane James White Poetry Prize judge and University of Houston professor Mark Doty for his being named as the National Book Award poetry prize-winner for Fire to Fire: New and Selected Poems (HarperCollins).

Doty has taught in the University of Houston Creative Writing Doty_jacket Program since 1999, but next spring he begins teaching at Rutgers University. Fire to Fire brings together new poems with selections from his previous seven collections, including My Alexandria (1993), which won the National Book Critics Circle Award.  There is a wonderful interview with Mark here. And you can see his moving acceptance speech here.

 

Doty is our judge for the first James White Poetry Prize for White Crane. That winner will be announced in spring 2009.

Helping A Brother in Need

Fundraiser to Benefit Writer Stuart Timmons

Saturday, November 15th 3 to 5 p.m. at the

ONE National Gay & Lesbian Archives
909 West Adams Blvd – Los Angeles, California

Stuart_timmons

Renowned Gay writers and artists will gather on Saturday, November 15, to honor celebrated author Stuart Timmons who suffered a major stroke last January. Malcolm Boyd, Chris Freeman, Trebor Healey, Michael Kearns, Felice Picano, Derek Ringold, Terry Wolverton, and others will read and perform from 3 to 5 p.m. at the ONE National Gay & Lesbian Archives. The fundraiser target is $20,000 to help pay for much needed (and very expensive) medical support in Timmons' ongoing recovery.

Timmons wrote the biography of Gay movement founder Harry Hay, The Trouble with Harry Hay and most recently co-authored the best-selling history book, Gay L.A. In addition to his writing, Timmons is a longtime community organizer, active in ACT-UP LA, the Coors beer boycott, the labor movement through his recent work at the Los Angeles Alliance for a New Economy, and as former director of ONE, the world's largest LGBT library.

After complaining to a friend of troubling neurological symptoms, Stuart was taken to Kaiser Hospital in Los Stuart_timmons2Angeles where the stroke was diagnosed and he received life-saving surgery. Stuart is 51 years old. Timmons, who has been unable to speak or move during the past eight months, has been under the careful watch of doctors, concerned family and friends. Recent improvements in his physical condition have been encouraging, says his sister, Gay Timmons, but his recovery will be a long one.

The benefit afternoon will raise funds to provide much-needed (and did we mention very expensive and not covered by insurance?) hours of physical therapy and other medical necessities beyond what routine insurance can allow. "The more additional hours of therapy Stuart receives, the sooner he can return to a functional life," says Gay. "The signs for recovery are good, but now is a critical time for the community to step up and lend its support."

Contributions

Contributions can be made in person at the door or sent to:

The Stuart Craig Timmons Irrevocable Trust
c/o Gay Timmons
P.O. Box 472
Los Gatos, CA 95031.

You can also make a contribution online by Credit Card via Paypal.
Just use this link and you will be redirected to a benefit page where you can link to Paypal.

Copies of Timmons' books and works by some of the presenting authors will also be on sale.

The ONE National Gay & Lesbian Archives is located at 909 West Adams Blvd., near the University of Southern California campus in Los Angeles. Parking is available behind the Archives building, located three blocks west of Figueroa Ave. at Scarff St., as well as in the immediate neighborhood.

Reservations are requested at (213) 741-0094.

The event is being sponsored by the ONE Archives, Lambda Literary Foundation, Monette/Horwitz Trust, White Crane Institute and the Drk/rm photo lab, which will be contributing rare photographic prints. Other artwork will also be available for purchase to further assist in the fundraising effort.

Flights of Angels: A Hatchet Job

This review of Flights of Angels has been censored at the Amazon.com website, now, five times. What is Adrian Brooks/Craig Makler afraid of?

Kreemah_scrumbly_and_hibiscus_lumin The good news is that "Adrian Brooks," formerly Craig Makler of Philadelphia (perhaps one of the more telling aspects of this book is Brooks’ obsession with revealing everyone else’s mundane and assumed names but not his own) had some good edítors, which made Flights of Angels more or less readable. So at least I could get through it. The bad news is that it’s not a very good book.  [And yes…I know the foto the left is of the Cockettes and not the Angels.]


In the final analysis, though, the portrayal of the Angels is at best superficial and somehow (despite the fact that Brooks was in less than half of the 20 shows the troupe produced) all the stories seem to center on Brooks and his "unappreciated brilliance" and supposed centrality to the troupe. As Brooks himself used to say in an aristocratic Russian character he would regularly affect, "It’s so hard to maintain one’s public image when there is no public." Despite his very high opinion of himself and his florid poetry, Brooks lives in literary obscurity in San Francisco. Bitterness and grasping self-promotion has that affect. OK…it’s a memoir. But one is reminded of the "you’re entitled to your own opinions, but not your own facts." Brooks continues to grab for credit where none is due (he recently claimed authorial credit for Paris Sites Under the Bourgeois Sea), and responds with vitriol and personal attacks when it is denied him.

It is in no small way revealing that his Tennessee Williams epigram telegraphs that what follows will have anything to do with reality and reflects nothing more than the author’s own "magical" thinking. It is a further, no doubt unintended, self-exposure that his very first sentence, "It’s impossible to encapsulate the truth about the Angels of Light" is true only insofar as Craig Makler/Adrian Brooks is concerned. Truth does seem to elude him; Flights of Angels has only a passing acquaintance with it.


It is clear that, along with any sense of decency, Adrian Brooks missed the magic. A self-serving opportunist, he missed the glue that kept this seminal troupe of artists together, many of whom are friends to this day. He missed their deep commitment to art and community while affecting his own. One gets no sense of that commitment…it seems to be so much about their selfishness, but really is more about his own.

And that’s really the point: this is a book that is much more about Adrian Brooks than it is about the Angels, who only appear as supporting players in Brooks’ self-absorbed life. One might legitimately suggest that Mr. Brooks is indulging in not a little projection when he accuses others of the sins he finds so distasteful, and is so quick to excuse in himself. In his bitterness about the missed attention of an adoring public he so richly believes he deserved (and would have you believe was denied him by the Angels) he reveals more about himself than anyone or anything else. His attacks on Beaver Bauer are shameful.


Sadly, other people who have true standing are used to lend credibility to this twisted record. Danny Nicoletta’s beautiful photos give a gloss of legitimacy to the book. It’s tempting to understand that Nicoletta wanted a place to show his work, but by now he must know it was a mistake. He isn’t the only one who should question his or her judgment. Everyone who was interviewed by Adrian Brooks had to know that Adrian Brooks was never going to give the Angels their due or be fair. Some people had grievances. Who didn’t? It’s unfortunate anyone chose to air them with him.

So much has happened to the Angels these past years, it is sad that this book is the only chronicle currently available about what was a truly amazing group and time. The Angels were recently properly feted in New York in a series of events tied to the donation of Martin Worman’s archives to the New York Public Library. The celebration at the Theater for the New City, a panel at the LGBT Community Center and other wonderful celebrations shows that this troupe’s influence and importance deserves better. Adrian Brooks’ name never came up.

UPDATE: I’m not alone in my distaste for this book. John Karr in the Bay Area Reporter weighed in this week with "The fact that it’s just about the trashiest read ever, with drugs, sex, promiscuity and dire betrayals riddling nearly every page makes it fun to read — for a short while. Then one becomes aware of the author’s imbalance. Reading this book was not enjoyable. I felt sullied. …irresponsible, distorted, slanderous, and just plain badly written are the first descriptives that come to mind concerning the book[s]…venomous, inaccurate, ludicrous text."

A Loss to Literature

Thomasdisch_2It is sad to report the loss of yet another elder of the community, novelist, poet, librettist…a literary and visionary mind, he was, in fact, a prolific writer in many genres, Thomas Disch.

Disch was an American science fiction author…he preferred "speculative fiction"…and poet. He won the Hugo Award in 1999, and he had two other Hugo nominations and nine Nebula Award nominations to his credit, plus one win of the John W. Campbell Memorial Award, a Rhysling Award and to Seiun Awards, among many others. His latest book, to be published posthumously, The Word of God: Or, Holy Writ Rewritten, is written in the first Dischwordofgod person, voice of God. When asked, he said this device "enabled him to speak nonsense and it would be true."

Disch was born in Des Moines, IA. In the 1960s, his work began appearing in science-fiction magazines. His first novel, The Genocides, appeared in 1965. He soon became known as part of the New Wave, writing for New Worlds and other avant-garde publications. His critically acclaimed novels of that time included Camp Concentration and 334. In the 1980s, he moved from science fiction to horror, with a series of books set in Minneapolis: The Businessman, The M.D. and The Priest.

Brave_little_toaster_1Perhaps his most widely read and affecting work was The Brave Little Toaster: A Bedtime Story for Small Appliances, in which a small toaster, a clock radio and an electric blanket come to life. Written as a children’s book, the New York Times’s Anna Quindlen quite rightly recommended, "By it for your children; read it for yourself." Made into a Hyperion (Disney) film with Jon Lovitz in 1987 it was an instant classic.

In America, Disch’s poetry remained little known until a 1989 mid-career retrospective collection, titled Yes, Let’s. A book of new poetry, Dark Verses & Light, followed in 1991. In 1995 and 2002, Disch published two collections of poetry criticism. He continued to regularly publish poetry in magazines and journals such as Poetry, Light, Paris Review, Partisan Review, Parnassus: Poetry in Review and even Theology Today (perhaps an odd choice for a long-lapsed Catholic). His "How To Behave When Dead" prescribes proper etiquette for the buried.

Near the end of his life he stopped submitting poetry to literary journals unless the journals asked for his contributions. He preferred to publish his poems in his LiveJournal blog account. In an interview just ten days before his death, Disch said, "I write poetry because I think it is the hardest thing I can do well. And so I simply enjoy the doing of it, as an equestrian enjoys spending time on a good horse. Poetry is my good horse." He wrote a series of poems on grammar and antagonized science fiction writers for encouraging people to believe in things like UFOs.

Disch partner of 30 years, poet Charles Naylor died in 2005, and he had recently suffered a crushing series of personal setbacks. He was reported to have been depressed for several years, badly hit by the death of Naylor, as well as fighting attempts to evict him from his rent-controlled apartment, that had, unbelievably, recently burned. His upstate New York home had also been flooded and he suffered from diabetes and sciatica.

Disch, who had proposed a calendar that commemorated famous self-annilators (like Sylvia Plath on February 11) took his own life on July 4th.

How to Behave when Dead

A notorious tease, he may pretend
not to be aware of you.
                        Just wait.
He must speak first. Then
you may begin to praise him.

Remember:
sincerity and naturalness
count for more than wit.
His jokes may strike you as
abstruse.
          Only laugh if he does.

Gifts?
They say he’s mad for art,
but whether in the melting
elegiac mode of, say, this
Vase of Poppies
or, turning the mirror
to his own face, a bronze skull
gorging on a snake —
that is a matter of taste.
In any case, the expense
is what he notices.

What to wear.
              Some authorities
still insist on black.
But really, in this modern age,
your best is all that is required.

       — Tom Disch

A Lovely Slideshow for Gay Pride

Affectionate_men_2 I could swear we reviewed this lovely book, but I can’t, for the life of me, find the review anywhere in the archives. Nonetheless, on what will be a hot and sweaty Gay Pride weekend, here’s a lovely slide show that is drawn from the book Affectionate Men: A Photographic History of a Century of Male Couples, 1850-1950 as well as another, Dear Friends: American Photographs of Men Together 1840-1918.

There’s a very nice song, Secretly, that accompanies it, by Jimmie Rodgers. Enjoy.

The LAmmys

Broughton_all_cover I loved every minute of the Lammy’s evening of awards. Congratulations to the Lammys, which have moved to Los Angeles (along with Charles Flowers, the real loss for New York). Twenty years is no small accomplishment. May you continue forever.

Alas, White Crane’s ALL: A James Broughton Reader was, inexplicably, not a finalist for the LGBT Arts and Culture category. I have to admit…all sour grapes aside…I don’t understand how this important collection of one of the leading voices of queer writing and film could be so blatantly ignored. Winning would have been gravy. But it should have been a finalist. There…I got that off my chest.

Friend, Kitt Cherry, was nominated for her boook Art That Dares was one of five books chosen in the LGBT Arts and Culture category. Unfortunately it didn’t win, but congratulations Kitt. You do wonderful work and we’re proud to feature your work in White Crane. [2008 Lammy winners]

It was a wonderful evening. It was a delight to be in an auditorium with all the hardworking GLBT authors. I think the Lambda Literary Foundation needs to rethink the process and break down and let the winners know they’ve won. Too many of them opted not to fly cross country (when flying is nothing short of a penance!) only to find out that they hadn’t won. Personally I think we owe it to our own institutions to support them, whether we’re winners or not (or…ahem…finalists!) But practical is practical and if the Lammys really want to be the important award they are, it sort of undercuts that end when the winners aren’t present to receive their beautiful crystal book award. And there’s far too much attention to the big publishers…[and they wonder why Gay publishers are folding left and right?]

I’m not quite sure what our sisters made of all the “penis humor” which was…shall we say…somewhat flaccid? But equal time for bad Lesbian humor was well-represented by a Lesbian comic troupe called "The Gay Mafia" performed a Lesbian science fiction scene that was, at best, sort of obligatory. And why is it that Lesbians get to make penis jokes and if Gay men said anything about women’s genitalia we would lose ours? Let it be duly noted: Lesbians can be as embarrassingly bad as Gay men.

For the most part, this is a graying (if eminent) crowd. Youth was represented, but there was, overall, a nice balance of age. The President of the LLF has been handed off (in another series of penis allusions with a "baton") from the eminent and splendid Terry Decrescenzo to best-selling author (and son of newly-minted Christian, Anne Rice) Christopher Rice in a clear play for the Los Angeles celebrity and youth crowd. I get it. Lambda needs to do this. The whole publishing world needs to get connected with the short-attention span crowd. At least he’s out-Gay. For the Los Angeles Gay scene, this is not always a given (see "Hilton, Paris/Gay Pride 2005").

There was a moving (if somewhat overlong) "In Memoriam" slide show, that had all the authors who had died in the past 20 years — 1988 to 2008, since it was the 20th anniversary of the Lammys. Tears and fond sighs were the order of the day as all our literary heroines’ and heroes’ faces looked out at us from the silver screen. Even Valerie Solanas, the radical feminist who wrote "Scum Manifesto" and who shot Andy Warhol, was up there. The obligatory applause response sort of faded away long before the slide show was over. Maybe some of the authors in the slide show were not well-known to everyone in the audience. But my suspicion was more along the lines that the reaction was “Why are we doing this?” Is it really necessary to parade this dirge-like presentation? I’m all for acknowledgment of our elders and our ancestors, to be sure…but it seems to me it might have been a little more celebratory in tone as opposed to the somber tone it took.

Ann_bannon Mystery pioneer Katherine V. Forrest presented a Pioneer award to Ann Bannon, Beebo who wrote the  Lesbian Beebo Brinker novels in the 1950s, which has recently been staged by our friend Linda Chapman (The Beebo Brinker Chronicles), and whom every Lesbian of a certain age has read and revered. Her character Beebo Brinker is nothing short of legend. Forrest attested, as she struggled not to cry, she that Ann Bannon’s books had saved her life. This is what all this publishing is all about. And we must never forget that. Every day, somewhere, there is some Gay kid looking to find some reflection of himself or herself in the world. Like most people, the only place I ever found it was in the dictionary. Ann Bannon is a lovely woman, whose warm smile lit up the room. Her books saved lives. I had the pleasure of meeting her in New York when The Beebo Brinker Chronicles opened and she couldn’t have been more delightful then, and more deserving of this acknowledgment now. Congratulations to Ms. Bannon.

Malcolm_and_kitt Finally, the other Pioneer awards went to our dear friends Malcolm Boyd, who is Mark going to be 85 years young this very weekend, and his lion-hearted partner, Mark Thompson, both White Crane authors and contributors. They’re both grand old gay men of letters. White Crane has published the essential Malcolm Boyd reader in recognition of his 85th year, A Prophet in His Own Land: A Malcolm Boyd Reader.

In all…a lovely event. On a personal note, Mark and Malcolm hosted me in their beautiful home for a very smart (in every sense of the word!) cocktail party with the literati of Los Angeles in attendance. I must admit it was a real honor to have such an illustrious and accomplished crowd assembled…to say nothing of it being in my honor (and Malcolm’s, too). To return to the City of Angels after 25 years and receive such a welcome was gratifying, humbling and sweet. Thank you M & M!

What kind of Gay man are you…?

Because we publish both this blog and the "hard copy" magazine, White Crane, we get on a lot of press lists for various publicists in the entertainment, publishing, recording and fashion business. The sheer stereotypical nature of the kinds of press releases we receive is stunning, really. The only metric that seems to make any difference whatsoever to whoever is sending out the press releases is that they see the word "gay" somewhere in the search, and their feeble little minds automatically assume "fashion" "sex" "consumers" "vacuous dance music" and the most superficial kind of idea of "beauty" imaginable. In fact, using any variation of the term "imagination" in the same sentence is a stretch. Actually having looked at a copy of the magazine, or exploring our website to determine something of what our interests might be seems to be too much to ask.

Fellow_travelers_book_coverThis morning was a perfect example of the stark dichotomy of choices with which we are presented virtually every day. In yesterday’s mail we received the first run of Mark Thompson’s newest book, a beautiful book of his own photography. More on this in a moment.

[Full disclosure: White Crane Institute helped with the production of this book, and we have been sponsoring a touring exhibit of some of the photography in the book, providing it to LGBT communities around the country.]

We were also in receipt of a press release…the second one, now…about some pretty boy cranking out monotonous "dance music" (I love to dance, but what passes for ‘dance music’ these days is, quite simply pathetic.) Shirt open to his six pack, sexuality ambiguously alluded (I’m not big on "sexual allusion" myself…Rosie O’Donnell "alluded" to Tom Cruise for years…and that’s just too weird for words).

Anyway, silly me, I decided to give it a listen, since the publicist (a little more full disclosure here…yours truly was a publicist in the music industry, and a band manager at one point, no less…so I have a soft spot in my heart — not my head, though — for music publicists, and artist trying to break into the biz) had gone to the trouble to send a MP3 file.

The lyrics say it all: Hey…you remember when / I read your mind? / Thoughts of you run through my George  head / and make me want to touch myself / The odds are so right / I know you know I’m the special one…Let’s make love like / we’re strangers…

Like strangers. Wow. Great. With HIV/AIDS making a comeback like it’s a viral Taliban, I hope they use a condom. What a great musical message to put out to young Gay men…a population that is seeing a significant uptick in sero-conversion, we should note. What really burns my admittedly senior citizen ass is the marketing of this cookie-cutter pretty boy, all pumped and smooth like every other cookie-cutter pretty boy, draped in female flesh (used like skin props) and expecting that just because this fellow is (debatably) a) young and b) attractive, that every red-blooded Gay man is going to run right out and buy his drivel music because he has digital abs. Let’s be clear here: his voice is unremarkable. The music is indistinguishable from any other cut on just about any other current "dance music" disc. There is nothing about this–and I use the term very loosely here–"singer" that recommends him other than his shaved body. If you like that sort of thing.

Look at the photos accompanying this post…one is the cover of Mark’s book, Fellow Travelers: Guides & Tribes [Fluxion Editions, 2008] and "the Stranger" with the models who are so weak from hunger they have to lean on him for support. Tell me…which huddle would you want to be in? You want to "make love like we’re strangers," like this bimbo (I really think "bimbo" ought to be the male version and "bimba" the female) suggests? So OK…maybe you don’t want to get all muddy…but those are definitely not "strangers" in that picture. You might actually connect with someone…your own self, for instance… your own history as a queer, like Mark Thompson is documenting in his beautiful book Fellow Travelers?

I hesitated to even talk about the singer, who shall remain anonymous here. Why give shallow exploitative product placement any kind of publicity at all? But the contrast between this dreck, and Mark Thompson’s new book was so dramatic to me, I thought they ought to be thrown into contrast. Mark’s Fellow Travelers book is available in limited edition at http://www.markthompsongayspirit.com/

The empty nutrition of the mess of potage with the six-pack is available…anywhere. In a word: feh.